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The Music Producer's Creative Guide to Ableton Live 11

You're reading from   The Music Producer's Creative Guide to Ableton Live 11 Level up your music recording, arranging, editing, and mixing skills and workflow techniques

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Product type Paperback
Published in Mar 2023
Publisher Packt
ISBN-13 9781801817639
Length 468 pages
Edition 1st Edition
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Author (1):
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Anna Lakatos Anna Lakatos
Author Profile Icon Anna Lakatos
Anna Lakatos
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Table of Contents (23) Chapters Close

Preface 1. Part 1: The Live Concept and Workflow
2. Chapter 1: Taking a Quick Tour of Ableton Live 11 FREE CHAPTER 3. Chapter 2: Recording Audio in Ableton Live 11 4. Chapter 3: Editing Audio and Warping 5. Chapter 4: Exploring MIDI Sequencing Techniques 6. Chapter 5: MIDI Editing and MIDI Effects 7. Part 2: Creative Music Production Techniques with Ableton Live 11
8. Chapter 6: Comping and Track Linking 9. Chapter 7: Discovering Some of Live 11’s Creative Audio Effects 10. Chapter 8: Exploring Device Racks in Live 11 11. Chapter 9: Audio to MIDI Conversion, Slicing to MIDI, and the Simpler Device 12. Chapter 10: Utilizing Arrangement and Organization Techniques in our Ableton Live Project 13. Chapter 11: Implementing Automation and Modulation 14. Chapter 12: Getting Started with MPE in Ableton Live 11 15. Part 3: Deep Dive into Ableton Live
16. Chapter 13: Exploring Tempo Follower, Follow Action, Max for Live, Working with Video, and Ableton Note 17. Chapter 14: Exploring MIDI Mapping, External Instrument, and MIDI CCs 18. Chapter 15: Playing Live 19. Chapter 16: Interesting Mixing Techniques in Live 11 20. Chapter 17: Troubleshooting and File Management 21. Index 22. Other Books You May Enjoy

MPE with a controller

I already mentioned at the beginning of the chapter that, ideally, you should have an MPE controller (a physical controller) to get the most out of this feature; however, as you have seen throughout this chapter, it is not fully necessary.

There are a couple of different brands making MPE controllers, which you can easily find on the internet. When you have a controller, all the different modulations created by Slide, Pressure, and so on (which we have been exploring and using by manually drawing envelopes) can be controlled physically by sliding and applying pressure with your fingers while you are playing and recording.

What is really fun is that Ableton Push 2 can be also used to a certain extent to control MPE, as the Push has Polyphonic Aftertouch! (There’s more about Push 2 in Chapter 15, Playing Live.) Polyphonic Aftertouch creates a MIDI message specifically to each key that can be assigned to modulate parameters specific to each key/note...

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