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Scoring to Picture in Logic Pro

You're reading from Scoring to Picture in Logic Pro

Product type Book

Published in Sep 2023

Publisher Packt

ISBN-13 9781837636891

Pages 412 pages

Edition 1st Edition

Languages

Concepts

Music Production

Author (1):

Prof. Chris Piorkowski

Table of Contents (19) Chapters

Preface

1. Part 1: An Introduction to Scoring to Picture

2. Chapter 1: Understanding Film Music Industry Standards

3. Chapter 2: Understanding Film Scoring Terminology

4. Chapter 3: Reviewing QuickTime Video and Video Components

5. Part 2: Project Setup and Navigation

6. Chapter 4: Setting Up a Movie in Logic Pro

7. Chapter 5: Syncing Logic Pro to Picture

8. Chapter 6: Working with Hit Points and Scene Markers

9. Part 3: Methods of Scoring to Picture

10. Chapter 7: Creating Tempo Maps

11. Chapter 8: Working with Beat Mapping

12. Chapter 9: Working with a Time Signature

13. Part 4: Synchronizing Music to Picture

14. Chapter 10: Scoring a Commercial

15. Chapter 11: Shaping the Score and Exporting to Video

16. Chapter 12: Advanced Concepts for Dealing with Timing in Film Music

17. Index

Why subscribe?

18. Other Books You May Enjoy

Shaping the Score and Exporting to Video

Previously, in Chapter 10, we discussed and presented an example of how to score a Mercedes commercial from scratch. We discussed how to find and select appropriate sounds, moods, and styles; structure the cue; choose music choices over technical choices; and layer instruments to create an entire arrangement.

Now, using the instruments previously recorded in Chapter 10, we will explore how to set up volume and panning, as well as how to blend the sounds by adding some of the Logic Pro plugins. We will exclusively use Logic Pro plugins for audio processing instead of using any existing third-party plugins.

Additionally, we will go over how to change, shape, and customize the existing instruments so that the final mix contributes to the overall mood of the commercial. Since mixing and mastering can be a very elaborate task, for the sake of the exercise in this chapter, we will cover just the basic mixing elements to get you started.

Finally...

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Authors (1)

Prof. Chris Piorkowski

Professor Chris Piorkowski is an award-winning composer, with a Masters in Music Technology from the University of Newcastle in Australia, an MFA majoring in Music Composition for Film, TV and Multimedia from the Vermont College of Fine Arts, a Diploma in Media Composition from Music for The Media in London, and another Diploma in Sound Engineering from the Audio Institute of America in San Francisco. He has also studied Film Scoring and Orchestration at Berklee College of Music in Boston as well as Film Music Orchestration Steven Scott Smalley and Jazz Piano with Walter Norris. In his professional life, he has worked on countless projects at the legendary Sound City Studios in Los Angeles scoring over 50 projects for TBN, ShowTime, PBS, and Gene Roddenberry (the creator of Star Trek).

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