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Scoring to Picture in Logic Pro

You're reading from Scoring to Picture in Logic Pro

Product type Book

Published in Sep 2023

Publisher Packt

ISBN-13 9781837636891

Pages 412 pages

Edition 1st Edition

Languages

Concepts

Music Production

Author (1):

Prof. Chris Piorkowski

Table of Contents (19) Chapters

Preface

1. Part 1: An Introduction to Scoring to Picture

2. Chapter 1: Understanding Film Music Industry Standards

3. Chapter 2: Understanding Film Scoring Terminology

4. Chapter 3: Reviewing QuickTime Video and Video Components

5. Part 2: Project Setup and Navigation

6. Chapter 4: Setting Up a Movie in Logic Pro

7. Chapter 5: Syncing Logic Pro to Picture

8. Chapter 6: Working with Hit Points and Scene Markers

9. Part 3: Methods of Scoring to Picture

10. Chapter 7: Creating Tempo Maps

11. Chapter 8: Working with Beat Mapping

12. Chapter 9: Working with a Time Signature

13. Part 4: Synchronizing Music to Picture

14. Chapter 10: Scoring a Commercial

15. Chapter 11: Shaping the Score and Exporting to Video

16. Chapter 12: Advanced Concepts for Dealing with Timing in Film Music

17. Index

Why subscribe?

18. Other Books You May Enjoy

Working with Beat Mapping

In the previous chapter, we discussed how to deal with tempo in film music and create different types of tempo maps, using a spotting list and SMPTE-locked scene markers.

In this chapter, we will review how to use beat mapping in Logic Pro as another tool to help find an appropriate tempo, and we will also create a tempo map. We will also evaluate and look at markers’ position numbers and their bar and beat locations, along with the overall tempo.

Additionally, we will explore different beat mapping methods to find a suitable tempo for a film, edit a Beat Mapping track, and discuss the overall benefit of using the Logic Pro beat mapping function.

In this chapter, we will explore beat mapping from a technical point of view in depth, which involves connecting the downbeat of a bar to a beat mapping line. Since this task takes a significant amount of time to master, we will go through multiple exercises that will help you to master the task of...

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Authors (1)

Prof. Chris Piorkowski

Professor Chris Piorkowski is an award-winning composer, with a Masters in Music Technology from the University of Newcastle in Australia, an MFA majoring in Music Composition for Film, TV and Multimedia from the Vermont College of Fine Arts, a Diploma in Media Composition from Music for The Media in London, and another Diploma in Sound Engineering from the Audio Institute of America in San Francisco. He has also studied Film Scoring and Orchestration at Berklee College of Music in Boston as well as Film Music Orchestration Steven Scott Smalley and Jazz Piano with Walter Norris. In his professional life, he has worked on countless projects at the legendary Sound City Studios in Los Angeles scoring over 50 projects for TBN, ShowTime, PBS, and Gene Roddenberry (the creator of Star Trek).

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