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Scoring to Picture in Logic Pro

You're reading from Scoring to Picture in Logic Pro

Product type Book

Published in Sep 2023

Publisher Packt

ISBN-13 9781837636891

Pages 412 pages

Edition 1st Edition

Languages

Concepts

Music Production

Author (1):

Prof. Chris Piorkowski

Table of Contents (19) Chapters

Preface

1. Part 1: An Introduction to Scoring to Picture

2. Chapter 1: Understanding Film Music Industry Standards

3. Chapter 2: Understanding Film Scoring Terminology

4. Chapter 3: Reviewing QuickTime Video and Video Components

5. Part 2: Project Setup and Navigation

6. Chapter 4: Setting Up a Movie in Logic Pro

7. Chapter 5: Syncing Logic Pro to Picture

8. Chapter 6: Working with Hit Points and Scene Markers

9. Part 3: Methods of Scoring to Picture

10. Chapter 7: Creating Tempo Maps

11. Chapter 8: Working with Beat Mapping

12. Chapter 9: Working with a Time Signature

13. Part 4: Synchronizing Music to Picture

14. Chapter 10: Scoring a Commercial

15. Chapter 11: Shaping the Score and Exporting to Video

16. Chapter 12: Advanced Concepts for Dealing with Timing in Film Music

17. Index

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18. Other Books You May Enjoy

Adjusting the tempo to match the hit points

Another form of tempo mapping is the process of matching the tempo to all of the markers. In this section, we will be adjusting the global tempo and searching for the most suitable tempo that makes the markers fall on the downbeat of a bar. In this example, we will experiment with adjusting the tempo to 99 bpm, from the default bpm of 120, as the global tempo of the entire film.

To start, in the marker track, create a new marker set. Name it Marker 3, with the default tempo of 120 bpm. Next, change the tempo by clicking on the bpm in the LCD display and type 99, then hit Enter. Logic Pro will then change the tempo to 99 bpm.

Figure 7.37: Arrange window with changed bpm

Figure 7.37: Arrange window with changed bpm

With this new tempo, watch the movie with the metronome on and observe the three different hit point locations. The objective is to see whether every hit point falls on the downbeat of a bar.

Open the Marker window and, while holding the...

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Authors (1)

Prof. Chris Piorkowski

Professor Chris Piorkowski is an award-winning composer, with a Masters in Music Technology from the University of Newcastle in Australia, an MFA majoring in Music Composition for Film, TV and Multimedia from the Vermont College of Fine Arts, a Diploma in Media Composition from Music for The Media in London, and another Diploma in Sound Engineering from the Audio Institute of America in San Francisco. He has also studied Film Scoring and Orchestration at Berklee College of Music in Boston as well as Film Music Orchestration Steven Scott Smalley and Jazz Piano with Walter Norris. In his professional life, he has worked on countless projects at the legendary Sound City Studios in Los Angeles scoring over 50 projects for TBN, ShowTime, PBS, and Gene Roddenberry (the creator of Star Trek).

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