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Unreal Engine 5 Character Creation, Animation, and Cinematics

You're reading from   Unreal Engine 5 Character Creation, Animation, and Cinematics Create custom 3D assets and bring them to life in Unreal Engine 5 using MetaHuman, Lumen, and Nanite

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Product type Paperback
Published in Jun 2022
Publisher Packt
ISBN-13 9781801812443
Length 598 pages
Edition 1st Edition
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Concepts
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Authors (2):
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Wilhelm Ogterop Wilhelm Ogterop
Author Profile Icon Wilhelm Ogterop
Wilhelm Ogterop
Henk Venter Henk Venter
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Henk Venter
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Table of Contents (27) Chapters Close

Preface 1. Part 1 Creating 3D Assets
2. Chapter 1: An Introduction to Blender's 3D Modeling and Sculpting Tools FREE CHAPTER 3. Chapter 2: Modeling a Robot Drone Character 4. Chapter 3: Let's Sculpt an Alien Plant! 5. Chapter 4: UV Maps and Texture Baking 6. Chapter 5: Texturing Your Models inside Quixel Mixer 7. Part 2 Building Your Virtual Movie Set in Unreal Engine 5
8. Chapter 6: Exploring Unreal Engine 5 9. Chapter 7: Setting Up Materials in UE 5 10. Chapter 8: Using MetaHuman to Create a Photorealistic Human for UE5 11. Chapter 9: Building a Virtual 3D Movie Set in UE5 12. Chapter 10: Adding Lighting and Atmospheric Visual Effects in UE5 13. Part 3 Character Rigging for Animation in UE5 with Control Rig
14. Chapter 11: Alien Plant Joint Setup in Blender 15. Chapter 12: Alien Plant Skinning in Blender 16. Chapter 13: Robot Joint Setup and Skinning in Blender 17. Chapter 14: Making a Custom Rig for Our Alien Plant with Control Rig 18. Chapter 15: Creating a Control Rig with Basic IK Controls for the Robot in UE5 19. Part 4 Animation in UE5 Using Control Rig and Sequencer
20. Chapter 16: Creating a Simple Swaying Animation Cycle in UE5 Sequencer 21. Chapter 17: Creating Three Simple Animations for the Robot in UE5 Sequencer 22. Chapter 18: Importing Motion Capture onto the MetaHuman Control Rig 23. Chapter 19: Motion Capture Editing and Cleanup Using Control Rig and Sequencer 24. Chapter 20: Using Sequencer to Construct Your Final Scene 25. Index 26. Other Books You May Enjoy

Using Blender's sculpting tools

You already understand the basic concepts of 3D sculpting. But now, let's explore how the 3D sculpting tools work in more detail. This section serves as a reference and is not meant to be practical.

Blender is excellent at 3D sculpting on meshes. When you select the Sculpture Workspace tab from the top bar, Blender automatically switches to Sculpture Mode, and the user interface changes to reflect this.

For this section, it is recommended that you use a graphics tablet and pressure-sensitive pen (also known as a stylus). That is because it makes sculpting more intuitive since we are primarily dealing with organic forms.

If you don't have a graphics tablet and stylus, don't worry – you can still follow along with the practical sculpture tutorial in Chapter 3, Let's Sculpt an Alien Plant!. Everything will still work, even if you are using a mouse instead of a stylus.

A good analogy of the digital sculpture experience would be to say that your stylus (or mouse) acts like a brush that deforms the digital clay (mesh). Depending on the tool you select, the brush affects the mesh differently.

You now know more about the Sculpture Workspace tab in Blender and the computer hardware that is used for 3D sculpting.

In the next section, we will explore the brush settings in detail.

Note

The sculpting brushes and tools that we will cover in this chapter are those that we will use in a tutorial in Chapter 3, Let's Sculpt an Alien Plant!. In the Further reading section, you will find a link to download Additional Content Volume 1 – More Blender Tools and Modifiers.pdf. This is a document in which I have covered more sculpting brushes and functions.

Brush settings

Because the basis of 3D sculpting is brush-based, we will first look at the brush settings.

The settings you should look at are Radius, Strength, and the positive or negative direction, which are indicated by + and - in the Header bar menu, respectively.

The default brush shortcuts are as follows:

  • F for Radius (brush size).
  • Shift + F for Strength.
  • Hold Ctrl to toggle the negative (-) direction (inwards from the surface).
  • Hold Shift to toggle the Smoothing Function while sculpting, as shown in Figure 1.24.This function works with the Draw brush, Draw Sharp brush and Inflate brush, which we will cover shortly. The Smoothing Function does not work on all brushes.

By default, the brush effect is in the positive (+) direction (pushes away from the surface):

Figure 1.20 – The Brush settings in the Header toolbar

Figure 1.20 – The Brush settings in the Header toolbar

You now have a good understanding of the brush settings that are used for 3D sculpting. In the next section, we will look at a function in Blender that is used to replace your geometry with new geometry.

Remesh

The Remesh function allows you to completely replace your existing mesh surface with a new, evenly spread-out mesh surface.

The reason you should use Remesh to replace your mesh's geometry is that during 3D sculpting, some of the geometry will become stretched (and give bad results for sculpting later). Remesh provides non-stretched geometry. Let's take a look at how we can use this function:

  1. Click on Remesh in the Header bar, as shown in the following screenshot:
  2. The density of this new mesh surface is dependent on the Voxel Size setting in the Remesh drop-down menu (the smaller the number, the denser the mesh). In the following screenshot, I have set Voxel Size to 0.1 for illustration purposes. The Voxel Size number you should use depends on what your computer system can handle, so adjust this number accordingly.
  3. Use the Ctrl + R shortcut to apply a remesh to your mesh. Alternatively, you can press the Remesh button at the bottom of the Remesh drop-down menu (highlighted in the following screenshot). Here, the mesh on the left is the original mesh, while the mesh on the right-hand side has been remeshed using a Voxel Size of 0.1:
Figure 1.21 – (A) Applying Remesh to your mesh; (B) The result of using Remesh on your mesh

Figure 1.21 – (A) Applying Remesh to your mesh; (B) The result of using Remesh on your mesh

Figure 1.21, part A, shows a low geometric-density Sphere mesh that has been deformed. Because the face count is quite low, the mesh looks angular.

The Sphere mesh on the right-hand side has been remeshed with a higher density surface. This replaced the previous mesh surface with a new, evenly spaced-out mesh surface (the model on the right). Higher density surfaces are much better for 3D sculpting.

In this section, you learned how to use Remesh to replace stretched geometry or to provide denser geometry for your sculpts.

In the next section, we will explore how to use Blender's sculpting brushes.

Blender's sculpting brushes

In this section, we will go through all the 3D sculpting brushes that will be used in Chapter 3, Let's Sculpt an Alien Plant!.

Let's start with the Draw brush.

Draw brush

This is the default brush that is selected when you launch the Sculpture Workspace. This brush has a soft fall-off. Negative mode (-) pushes in the surface instead of pulling it out, as shown on the right-hand side of the following screenshot. To use this tool, either press X on your keyboard or select the Draw brush icon from the toolbar:

Figure 1.22 – (Left) Using the Draw brush; (Right) The Draw brush icon

Figure 1.22 – (Left) Using the Draw brush; (Right) The Draw brush icon

Draw Sharp brush

This is used to carve sharp cuts. This brush has a sharp fall-off. Negative mode (-) pulls up a sharp crease on the surface instead of carving it in, as shown on the right-hand side of the following screenshot. To use this tool, either press Spacebar + 1 on your keyboard or select the Draw Sharp icon from the toolbar:

Figure 1.23 – (Left) Using the Draw Sharp brush; (Right) The Draw Sharp icon

Figure 1.23 – (Left) Using the Draw Sharp brush; (Right) The Draw Sharp icon

The Brush Smoothing function

The Draw brush, Draw Sharp brush, and Inflate brush all have a smoothing function when you hold Shift while doing 3D sculpting:

Figure 1.24 – Using the Brush Smoothing function

Figure 1.24 – Using the Brush Smoothing function

Inflate brush

This brush inflates the surface or deflates it in negative (-) mode. To use this tool, either press I on your keyboard or select the Inflate brush icon from the toolbar:

Figure 1.25 – (Left) Using the Inflate brush; (Right) The Inflate brush icon

Figure 1.25 – (Left) Using the Inflate brush; (Right) The Inflate brush icon

Mask brush

You can paint a mask on an area on the surface of a mesh to block or limit the effect of manipulation of that area (by other brushes). To use this tool, press M on your keyboard or select the Mask brush icon from the toolbar. Holding Ctrl while painting will remove the masked area under the brush:

Figure 1.26 – (Left) (A) Painting a mask on a mesh; (B) The masking effect in action, demonstrated by brushing over the masked area with the Draw brush; (Right) The Mask brush icon

Figure 1.26 – (Left) (A) Painting a mask on a mesh; (B) The masking effect in action, demonstrated by brushing over the masked area with the Draw brush; (Right) The Mask brush icon

Pressing A brings up the Masking Pie menu, which contains many options for your mask, such as Sharpen Mask, Grow Mask, Shrink Mask, Decrease Contrast, Invert Mask, and Clear Mask.

In this section, you learned about the different brushes that will be used in the tutorial for Chapter 3, Let's Sculpt an Alien Plant!.

However, there are some more sculpting functions in the sculpting toolbar. We will explore these functions in the next section.

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Unreal Engine 5 Character Creation, Animation, and Cinematics
Published in: Jun 2022
Publisher: Packt
ISBN-13: 9781801812443
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