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Learn Clip Studio Paint

You're reading from   Learn Clip Studio Paint A beginner's guide to creating compelling comics and manga art

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Product type Paperback
Published in Sep 2021
Publisher Packt
ISBN-13 9781800564978
Length 556 pages
Edition 3rd Edition
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Authors (2):
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Liz Staley Liz Staley
Author Profile Icon Liz Staley
Liz Staley
Inko Ai Takita Inko Ai Takita
Author Profile Icon Inko Ai Takita
Inko Ai Takita
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Toc

Table of Contents (22) Chapters Close

Preface 1. Chapter 1: Image Gallery of Manga and Illustrations Created by Clip Studio Paint 2. Chapter 2: Installing Clip Studio Paint Pro and Interface Basics FREE CHAPTER 3. Chapter 3: Pages and Panels to Shape Manga 4. Chapter 4: Introducing Clip Studio Paint Brushes 5. Chapter 5: Penciling: Layer and Layer Property Palettes 6. Chapter 6: Erasers, Selections, and the Sub View Palette 7. Chapter 7: Using Text and Balloon Tools 8. Chapter 8: Getting Started with Inking Tools 9. Chapter 9: Inking Special Effects 10. Chapter 10: Vector Layers and the Material Palette 11. Chapter 11: Creating Your Own Sound Effects 12. Chapter 12: Making Layer Masks and Screentones 13. Chapter 13: All About Rulers 14. Chapter 14: Using 3D Figures and Objects 15. Chapter 15: Color Palette 16. Chapter 16: Using Clip Studio Paint to Color Your Manga 17. Chapter 17: Auto Actions and Your Workflow 18. Chapter 18: Exploring the Clip Studio Assets and Animation 19. Chapter 19: Exporting, Printing, and Uploading Your Manga 20. Chapter 20: Finding Your Own Manga Look 21. Other Books You May Enjoy

Using Reference Layers

In this section, we are going to look at a basic way, and one of the most useful, to start coloring. Having line art already on your canvas and knowing the great digital coloring benefits really changes your creative life.

Let's have a look at reference layers. Reference layers are a game-changer for anyone who does digital art. Reference layers allow us to make some aspects of the digital coloring process a lot easier. Many digital art beginners make a mistake when they start adding color to their art. Once they have some nice inks down, they grab the bucket fill tool in whatever software they're using and start adding color willy-nilly to the same layer that their line art is on. This produces results like the following screenshot:

Figure 16.1 – Screenshot of an image colored by the bucket fill tool

If we look closely at the area between the black lines and the color, we can see a slight line of white and gray pixels...

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