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Final Cut Pro Efficient Editing

You're reading from   Final Cut Pro Efficient Editing The ultimate guide to editing video with FCP 10.7.1 for faster, smarter workflows

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Product type Paperback
Published in Jul 2023
Publisher Packt
ISBN-13 9781837631674
Length 828 pages
Edition 2nd Edition
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Author (1):
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Iain Anderson Iain Anderson
Author Profile Icon Iain Anderson
Iain Anderson
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Table of Contents (23) Chapters Close

Preface PART 1: Importing and Organizing
1 Quick Start: An Introduction to FCP FREE CHAPTER 2 Before the Edit: Production Tips 3 Bring It In: Importing Your Footage 4 Sort It Out: Reviewing and Keywording 5 Choose Your Favorites: Selecting, Rating, and Searching PART 2: Rough Cut to Fine Cut
6 Build the spine of the story: Quick Assembly 7 Cover It Up: Connections, Cutaways, and Storylines 8 Neaten the Edges: Trimming Techniques 9 Consider Your Options: Multicam, Replacing, and Auditions 10 Explore a Little: Compound Clips and Timeline Tricks PART 3: Finishing and Exporting
11 Play with Light: Color Correction and Grading 12 Refine and Smooth: Video Properties and Effects 13 Blend and Warp: Video Transitions and Retiming 14 Boost the Signal: Audio Sweetening 15 A Few Words: Titles and Generators 16 You’re Done: Exporting Your Edit and Finishing Up Other Books You May Enjoy Index Appendix A: 360° Video Workflows

Understanding and applying Keywords

The simplest way to get started with Keywords is to think of a simple one- or two-word description of your clips, something that will help you to find that clip again later. One common strategy is to focus on what’s actually in the shot, such as water, trees, skies, people, or animals. Another strategy might focus on how the shots will be used: A-roll and B-roll, introductory shots, and conclusion shots. Perhaps focal length would be helpful: close-up, medium shot, or long shot. There are many strategies that could succeed in different workflows and at different parts of the editing process. Yes, Keywords are metadata, but they are less about the technical aspects and more about the shot content, and they’re stored in the Library, rather than on the media files themselves.

Here’s the big problem with the traditional “bin” structure, which is essentially just like putting files into specific folders (and subfolders...

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