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Edit without Tears with Final Cut Pro

You're reading from   Edit without Tears with Final Cut Pro Elevate your video editing skills with professional workflows and techniques

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Product type Paperback
Published in Mar 2024
Publisher Packt
ISBN-13 9781804614921
Length 708 pages
Edition 1st Edition
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Author (1):
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Bruce G. Macbryde Bruce G. Macbryde
Author Profile Icon Bruce G. Macbryde
Bruce G. Macbryde
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Table of Contents (27) Chapters Close

Preface 1. Prologue 2. Part 1:Planning FREE CHAPTER
3. Chapter 1: It’s All about the Media 4. Chapter 2: Organizing Media 5. Chapter 3: Planning the Video Story 6. Chapter 4: Pre-Editing a Rough Cut 7. Part 2:Editing
8. Chapter 5: Refining the Rough Cut 9. Chapter 6: Fixing and Enhancing the Audio 10. Chapter 7: Titles, Effects, and Generators 11. Chapter 8: Setting Up and Editing Multicam 12. Chapter 9: Project Workflows – Pace and Structure 13. Part 3:Using the Inspector
14. Chapter 10: The Inspector Controls 15. Chapter 11: Using Built-In Plug-Ins 16. Chapter 12: Using Third-Party Plug-Ins 17. Chapter 13: Using Keyframes to Animate Objects in Final Cut Pro 18. Chapter 14: Understanding the Principles of Color 19. Chapter 15: Using Color Scopes for Advanced Color Correction 20. Part 4: Outside Final Cut Pro
21. Chapter 16: Your Job Role – Collaboration 22. Chapter 17: Supporting Software Applications for Final Cut Pro 23. Chapter 18: Troubleshooting Final Cut Pro 24. Chapter 19: Backing Up and Archiving Libraries 25. Index 26. Other Books You May Enjoy

Audio keyframing

As you are aware, video clips in the timeline can contain both video and audio. Audio keyframing allows you to change the volume within the clip – not just as a volume level for the whole clip but with varying volume levels throughout the clip.

Let’s start our first exercise:

  1. Add a clip containing audio to the timeline. It can be a video clip with audio or an audio-only clip – both work the same. I have added a video clip containing audio. For better visibility, you can expand the audio by double-clicking on the audio waveform of the clip or using the Control + S shortcut.

    As you know, the faint horizontal white line allows the volume to be changed for the whole clip, but for this exercise, I’ll add keyframes to lower the volume for the second half of the clip.

  2. With the Option key held down, click on the horizontal white line; a white dot will appear.
  3. Click a little further along the clip and do the same with the Option...
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