Search icon CANCEL
Subscription
0
Cart icon
Your Cart (0 item)
Close icon
You have no products in your basket yet
Arrow left icon
Explore Products
Best Sellers
New Releases
Books
Videos
Audiobooks
Learning Hub
Conferences
Free Learning
Arrow right icon
Arrow up icon
GO TO TOP
A Power User's Guide to FL Studio 21

You're reading from   A Power User's Guide to FL Studio 21 Master the art of music production and advanced mixing techniques to create Billboard-charting records

Arrow left icon
Product type Paperback
Published in Oct 2023
Publisher Packt
ISBN-13 9781803234380
Length 334 pages
Edition 1st Edition
Arrow right icon
Author (1):
Arrow left icon
Chris Noxx Chris Noxx
Author Profile Icon Chris Noxx
Chris Noxx
Arrow right icon
View More author details
Toc

Table of Contents (14) Chapters Close

Preface 1. Part 1:Understanding the Basics
2. Chapter 1: Delving into the FL Studio Mindset and Workflow FREE CHAPTER 3. Part 2:Creating Music with FL Studio
4. Chapter 2: From the Piano Roll to the Billboard Charts 5. Chapter 3: Creating Your Signature Sound 6. Chapter 4: Working through Drum Programming and Arrangements 7. Chapter 5: Approaching Melody and Composition Theory 8. Chapter 6: A Billboard-Ready Production Arrangement 9. Part 3: Best Techniques and How to Appear on the Billboard Charts
10. Chapter 7: Chart-Topping Mixing Techniques 11. Chapter 8: How to Get Records Placed So They Land on Billboard Charts 12. Index 13. Other Books You May Enjoy

Drum programming in FL Studio

The high-level drum theory relates to each specific subgenre as a working framework of theory. But I will say that when you are creating a production in FL Studio, you should always be open to moving kicks around to best fit the rhythmic top-line melody if you are starting a track with a top line first as opposed to starting a track with a drum arrangement. A good rule of thumb is that a kick should always synchronize with a note change point, or at the start of the next bar.

Let’s show you exactly what I mean by using the drum pattern synchronized with a note progression in the Piano Roll:

Figure 4.24: Channel Rack | Drum sequence with hi-hat triplets via the Piano Roll

Figure 4.24: Channel Rack | Drum sequence with hi-hat triplets via the Piano Roll

Notice that the FL Keys inputs are on the same pattern block as the kicks; this implies that the keynote has the same block pattern as the kick and follows it succinctly. In most cases, you won’t use a VST in this form; it will be composed...

lock icon The rest of the chapter is locked
Register for a free Packt account to unlock a world of extra content!
A free Packt account unlocks extra newsletters, articles, discounted offers, and much more. Start advancing your knowledge today.
Unlock this book and the full library FREE for 7 days
Get unlimited access to 7000+ expert-authored eBooks and videos courses covering every tech area you can think of
Renews at $19.99/month. Cancel anytime
Banner background image