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Scoring to Picture in Logic Pro

You're reading from   Scoring to Picture in Logic Pro Explore synchronization techniques for film, TV, and multimedia composers using Apple's flagship DAW

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Product type Paperback
Published in Sep 2023
Publisher Packt
ISBN-13 9781837636891
Length 412 pages
Edition 1st Edition
Languages
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Author (1):
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Prof. Chris Piorkowski Prof. Chris Piorkowski
Author Profile Icon Prof. Chris Piorkowski
Prof. Chris Piorkowski
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Table of Contents (19) Chapters Close

Preface 1. Part 1: An Introduction to Scoring to Picture
2. Chapter 1: Understanding Film Music Industry Standards FREE CHAPTER 3. Chapter 2: Understanding Film Scoring Terminology 4. Chapter 3: Reviewing QuickTime Video and Video Components 5. Part 2: Project Setup and Navigation
6. Chapter 4: Setting Up a Movie in Logic Pro 7. Chapter 5: Syncing Logic Pro to Picture 8. Chapter 6: Working with Hit Points and Scene Markers 9. Part 3: Methods of Scoring to Picture
10. Chapter 7: Creating Tempo Maps 11. Chapter 8: Working with Beat Mapping 12. Chapter 9: Working with a Time Signature 13. Part 4: Synchronizing Music to Picture
14. Chapter 10: Scoring a Commercial 15. Chapter 11: Shaping the Score and Exporting to Video 16. Chapter 12: Advanced Concepts for Dealing with Timing in Film Music 17. Index 18. Other Books You May Enjoy

Errors in drop frame and non-drop frame timecodes

Timecodes are a labeling system, and the frame rate is the speed of frames per second (fps). The speed of black and white TV broadcasting in the USA was originally 30 fps as a non-drop frame. When color TV was introduced in 1953, the speed of the frame rate was slowed down to a 29.97 fps drop frame, so that the millions of people who had black and white TVs could also receive color TV programs without any visible artifacts.

With the invention of electronic video tape editing in the 1960s, SMPTE timecode was introduced and allowed each individual frame to be labeled. The frame number of the timecode was dropped in the labeling system without any changes to the frames of the video itself. It was done by dropping 2 frames each minute, except every 10th minute, in the SMPTE timecode labeling.

For the film composer, it is important to identify and check with the film director/editor what the correct frame rate is. Let’s review...

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