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The Music Producer's Creative Guide to Ableton Live 11

You're reading from   The Music Producer's Creative Guide to Ableton Live 11 Level up your music recording, arranging, editing, and mixing skills and workflow techniques

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Product type Paperback
Published in Mar 2023
Publisher Packt
ISBN-13 9781801817639
Length 468 pages
Edition 1st Edition
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Author (1):
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Anna Lakatos Anna Lakatos
Author Profile Icon Anna Lakatos
Anna Lakatos
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Table of Contents (23) Chapters Close

Preface 1. Part 1: The Live Concept and Workflow
2. Chapter 1: Taking a Quick Tour of Ableton Live 11 FREE CHAPTER 3. Chapter 2: Recording Audio in Ableton Live 11 4. Chapter 3: Editing Audio and Warping 5. Chapter 4: Exploring MIDI Sequencing Techniques 6. Chapter 5: MIDI Editing and MIDI Effects 7. Part 2: Creative Music Production Techniques with Ableton Live 11
8. Chapter 6: Comping and Track Linking 9. Chapter 7: Discovering Some of Live 11’s Creative Audio Effects 10. Chapter 8: Exploring Device Racks in Live 11 11. Chapter 9: Audio to MIDI Conversion, Slicing to MIDI, and the Simpler Device 12. Chapter 10: Utilizing Arrangement and Organization Techniques in our Ableton Live Project 13. Chapter 11: Implementing Automation and Modulation 14. Chapter 12: Getting Started with MPE in Ableton Live 11 15. Part 3: Deep Dive into Ableton Live
16. Chapter 13: Exploring Tempo Follower, Follow Action, Max for Live, Working with Video, and Ableton Note 17. Chapter 14: Exploring MIDI Mapping, External Instrument, and MIDI CCs 18. Chapter 15: Playing Live 19. Chapter 16: Interesting Mixing Techniques in Live 11 20. Chapter 17: Troubleshooting and File Management 21. Index 22. Other Books You May Enjoy

Understanding the differences between Insert Effect Chains and Return Tracks

How we manage our effects in Live will not only impact our speed and how efficient our workflow is but also the CPU usage of our computer.

Effects can be used on a track in serial, meaning you put effects after each other, forming a single effect chain on the track.

This means the first effect’s output will feed into the effect after it, and so on.

However, what if you would like to apply, for example, reverb to a vocal track and a delay without the reverberated signal feeding into the delay device, so the two effects are used in parallel, not affecting each other?

Well, that’s when you could use return tracks and use the effects as “send effects.”

Let’s have a look at this.

In Figure 7.14, you can see that I inserted a Reverb and Delay device onto the vocal track called INSERT in the project.

This is the first scenario that I described previously. The...

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