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Learn Clip Studio Paint

You're reading from   Learn Clip Studio Paint A beginner's guide to creating compelling art in manga, comics, and animation

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Product type Paperback
Published in Jul 2024
Publisher Packt
ISBN-13 9781835886588
Length 440 pages
Edition 4th Edition
Concepts
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Authors (2):
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Inko Ai Takita Inko Ai Takita
Author Profile Icon Inko Ai Takita
Inko Ai Takita
Liz Staley Liz Staley
Author Profile Icon Liz Staley
Liz Staley
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Toc

Table of Contents (22) Chapters Close

Preface 1. Image Gallery of Manga and Illustrations Created by Clip Studio Paint FREE CHAPTER 2. Installing Clip Studio Paint Pro and Interface Basics 3. Penciling: Layer and Layer Property Palettes 4. Introducing Clip Studio Paint Brushes 5. Pages and Panels to Shape Manga 6. Erasers, Selections, and the Sub View Palette 7. Using Text and Balloon Tools 8. Getting Started with Inking Tools 9. Material Palette and Inking Special Effects 10. Exploring Vector Layers 11. Creating Your Own Sound Effects 12. Making Layer Masks and Screentones 13. All About Rulers 14. Using 3D Figures and Objects 15. Color Palette 16. Using Clip Studio Paint to Color Your Manga 17. Auto Actions and Your Workflow 18. Exploring Clip Studio Assets and Animations 19. Exporting, Printing, and Uploading Your Manga 20. Other Books You May Enjoy
21. Index

Summary

In this chapter, we learned about the penciling sketch as part of the manga creation process. This is the best time to make mistakes, keep practicing, and eventually get the proportions right. It may be frustrating if you’re new to drawing figures, as well as being new to drawing on a tablet, but it will get better as you go. In fact, this could be seen as the hardest part of a composition; if you’ve got a good pencil sketch, the rest of the details will fall into place naturally.

As a significant step in your journey into digital art, we learned what layers are and how to use them when creating your penciling sketch. We can use layers to add sketches in alternate poses or with additional foreground elements. Remember that, when you start inking your artwork on a new layer, you should reduce the pencil sketch layer’s opacity so you can focus on the ink. It’s also helpful to change the color of the penciling layer, to further distinguish it from...

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