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Scoring to Picture in Logic Pro

You're reading from   Scoring to Picture in Logic Pro Explore synchronization techniques for film, TV, and multimedia composers using Apple's flagship DAW

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Product type Paperback
Published in Sep 2023
Publisher Packt
ISBN-13 9781837636891
Length 412 pages
Edition 1st Edition
Languages
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Author (1):
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Prof. Chris Piorkowski Prof. Chris Piorkowski
Author Profile Icon Prof. Chris Piorkowski
Prof. Chris Piorkowski
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Table of Contents (19) Chapters Close

Preface 1. Part 1: An Introduction to Scoring to Picture
2. Chapter 1: Understanding Film Music Industry Standards FREE CHAPTER 3. Chapter 2: Understanding Film Scoring Terminology 4. Chapter 3: Reviewing QuickTime Video and Video Components 5. Part 2: Project Setup and Navigation
6. Chapter 4: Setting Up a Movie in Logic Pro 7. Chapter 5: Syncing Logic Pro to Picture 8. Chapter 6: Working with Hit Points and Scene Markers 9. Part 3: Methods of Scoring to Picture
10. Chapter 7: Creating Tempo Maps 11. Chapter 8: Working with Beat Mapping 12. Chapter 9: Working with a Time Signature 13. Part 4: Synchronizing Music to Picture
14. Chapter 10: Scoring a Commercial 15. Chapter 11: Shaping the Score and Exporting to Video 16. Chapter 12: Advanced Concepts for Dealing with Timing in Film Music 17. Index 18. Other Books You May Enjoy

Dealing with tempo in film music

Film has its own cuts and pace, and music has a supporting role that needs to acknowledge, evaluate and follow the pace of the film. Music will adapt to the pace of the film cuts and transform them into a rhythmic form that can then be utilized during the scoring to picture process. After reviewing a scene, a film composer will figure out the tempo of the scene with the overall content and pace of the story and how the music and rhythmic choice can support the scene.

The tempo of the music can greatly affect how a scene feels. If the final finished score is too slow, it could drag the flow of the film, or if the tempo of the music is too fast, it could be jarring and ineffective for the viewers. Either way, if the music is not in sync with the pace of the movie, it will not serve the film optimally.

By carefully watching and analyzing the film cuts, the film composer can feel the rhythmical pulse that exists based on the scene cuts. It takes countless...

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