Chapter 1. What Can Mahara Do for Me?
So, you're interested in Mahara? Maybe you are already using it, but you are wondering if you are using it well. Maybe you've recently heard of Mahara and you are wondering if this is actually the ePortfolio solution you were looking for? Or, maybe you have been told you have to use it and you just need to get a sense of what Mahara is all about?
In subsequent chapters of this book, we will be digging into the nitty-gritty of getting your Mahara up and running and then making it practically work for you as a learner or as a Mahara Staff Member. This particular book is not specifically pitched at helping Mahara Site Administrators. Therefore, before we start getting down to the practical basics of Mahara, we need you to try to understand the big picture of what Mahara is about.
In this chapter, we will:
Introduce you to the concept of ePortfolios
Think about some of the different ways in which you can use Mahara
Introduce you to the three fictional case studies used as examples in this book
Learn why Mahara is the best option out there for your ePortfolio building and reflective learning
Encourage you to become a member of the online Mahara community at http://mahara.org
So, let's get on with it!
Portfolios go electronic
You have been learning things since the day you were born. I have just gloried at my little four-year-old boy's first-ever picture of a cowboy on a horse (it's great!) and I will always remember the wooden toy truck I myself made in my woodwork class when I was a teenager. I also proudly remember the written design paper I had to write for my exams about how I actually made that wooden truck, but I have now lost that design paper, I have no idea where it has gone. Today, I am heavily involved with online distance learning, more specifically ePortfolios, and rarely a day goes when I don't learn something new.
Now, the thing is, all I have now are memories of my wooden truck, but, IF I had access back then to a digital ePortfolio, I could have kept a copy of that design paper. I could have scanned it into my computer and stored it as an image (if I hadn't created it digitally in the first place). I could have also stored a video of the sixteen year-old me showing off my wooden truck and I could have taken digital snapshots of the truck from all angles. If I was feeling really adventurous, I could have combined all these elements together and written about—or videoed myself speaking about—how I conceived the idea and how I actually made it.
Maybe my friends were really impressed with my wooden truck and wanted to know how to make it, so they could make one too. So, maybe I decided I was going to create a web page to show them. I could add all these videos, pictures, and commentaries to create a really useful and detailed resource page for my friends. Perhaps, I didn't (yet) want the world to know about my new carpentry skills—especially not Barry down the road from the rival school. In this case, I could have set up a special group so only the people I selected would be able to view my wooden truck page. Maybe one of my friends really liked the truck, and showed it to his Dad who was an engineer. Suppose they made one using my web page too, but with some tips from his Dad, they made one that went faster. He then started a forum discussing the improvements they had made. Then, perhaps another couple of my friends joined in and got really excited. They shared with the group their own modifications that they had researched on the Internet, uploaded a picture of an improved version to the group, and suggested we all got together once a week to work on one together and enter it in the county wooden truck championship.
And all along, without us being aware, let's imagine our teachers looking on smiling. They were watching us learn collaboratively and reflectively. They were watching us develop our IT skills and start off down the path of lifelong learning and collaborative working. They were watching us record our new-found learning and skills along with developing complex social networking skills. The teachers were all happy that this was taking place in a safe "walled garden" where only people to whom the school had given permission could access our work. The woodwork teacher sat back in his chair with a warm smile on his face. He knew he had taught me something of much greater worth than a wooden truck.
However, this is all pure fantasy. I did not have access to an ePortfolio that had all this functionality, and the Internet back then was not much more than a concept.
Towards an ePortfolio-enabled future
I am now, however, a fully ePortfolio-enabled-Dad and I am therefore, this afternoon, going to help my son (Salvador) to upload that picture of a cowboy on a horse. In future, he can share that picture with his friends, and possibly with some other junior artistic talents, online. He is about to embark upon a lifelong learning journey, and now he (with a little help from Dad), can keep a record of his learning into posterity.
I, myself, also see the need to store and share the knowledge I am gathering about my professional life online. I want to work in a community of professionals (like yourself) using ePortfolios, who I can buzz with, share ideas with, and grow with. I want to engage with a professional community who I can give to and learn from. I want to keep my personal reflections and files to myself sometimes, to share some with my colleagues, and some to share with the rest of the world. I wish to create pages as I see fit, not according to some pre-designed fixed template. I want to fully use my creative skills to design pages that I feel fit with my personal and professional style. I cannot do these things with Facebook or Beebo; I need the enhanced functionality and privacy that a socially interactive ePortfolio such as Mahara uses.
For both Salvador's needs and my own, I am going to use Mahara.