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Up and Running with Affinity Designer

You're reading from   Up and Running with Affinity Designer A practical, easy-to-follow guide to get up to speed with the powerful features of Affinity Designer 1.10

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Product type Paperback
Published in Sep 2021
Publisher Packt
ISBN-13 9781801079068
Length 460 pages
Edition 1st Edition
Concepts
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Author (1):
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Kevin House Kevin House
Author Profile Icon Kevin House
Kevin House
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Table of Contents (18) Chapters Close

Preface 1. Section 1: Getting Familiar with Affinity Designer's Interface and Layout
2. Chapter 1: Getting Familiar with the Affinity Designer's Interface FREE CHAPTER 3. Chapter 2: Getting Familiar with the Three Personas of Affinity Designer 4. Chapter 3: How to Customize Your Affinity Designer Workspace 5. Section 2: Deeper Exploration of Affinity Designer's Documents, Tools, and Workflow
6. Chapter 4: Document Setup and Modification 7. Chapter 5: Main Studio Panels and Managers 8. Chapter 6: Tools – Designer Persona 9. Chapter 7: Tools – Pixel Persona 10. Chapter 8: Tools, Panels, and Process – Export Persona 11. Chapter 9: Workflow: Layers and Objects 12. Chapter 10: Workflow: Symbols, Assets, and History 13. Section 3: Bringing It All together
14. Chapter 11: Creating a Professional Logo 15. Chapter 12: Creating Astronaut Ricky and Sidekick K9 16. Chapter 13: Rocketing into the Pixel Cosmos 17. Other Books You May Enjoy

The Brushes panel – Designer and Pixel Personas

Brushes are a great way to add character or an organic feel to your work. There are two types of brushes in Affinity Designer, Designer Persona brushes and Pixel Persona brushes. As you might expect, the Designer Persona brushes are vector-based and the Pixel Persona brushes are pixel-based and the two setups, while similar in appearance, have slightly different working methods.

The Designer Persona brushes rely on vector strokes, curves, and paths. The brushes are applied to the vector curves along the paths. You can draw with a chosen brush from the Brushes panel using the vector brush tool, which allows immediate feedback. Or, you can create curves or shapes with the pen, pencil, or shape tools found in the Tool panel, then choose a brush in the vector brushes panel to apply that brush to the selected curve or shape. The advantage of the vector workflow is that it is a little more of an indestructible workflow than the Pixel...

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