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Video Editing Made Easy with DaVinci Resolve 18

You're reading from   Video Editing Made Easy with DaVinci Resolve 18 Create quick video content for your business, the web, or social media

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Product type Paperback
Published in May 2023
Publisher Packt
ISBN-13 9781801075251
Length 340 pages
Edition 1st Edition
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Author (1):
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Lance Phillips Lance Phillips
Author Profile Icon Lance Phillips
Lance Phillips
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Table of Contents (20) Chapters Close

Preface 1. Part 1: A Quick Start to DaVinci
2. Chapter 1: Getting Started with Resolve – Publishing Your First Cut FREE CHAPTER 3. Chapter 2: Adding Titles and Motion Graphics 4. Chapter 3: Polishing the Camera Audio – Getting It in Sync 5. Chapter 4: Adding Narration, Voice Dubbing, and Subtitles 6. Chapter 5: Creating Additional Sound 7. Part 2: Fixing Audio and Video
8. Chapter 6: Working with Archive Footage 9. Chapter 7: Stabilizing Shaky Footage 10. Chapter 8: Hiding the Cut – Making Our Edits Invisible 11. Part 3: Advanced Techniques
12. Chapter 9: Adding Special Effects 13. Chapter 10: Split Screens and Picture-in-Picture 14. Chapter 11: Enhancing Color for Mood or Style 15. Chapter 12: Studio-Only Techniques 16. Glossary 17. Answers to Questions 18. Index 19. Other Books You May Enjoy

Understanding cutaways, cut-ins, and the editing process

To understand what B-roll is, let us uncover where the term first came from.

In the film industry, the main camera team (the main unit) shoots the central action of the film’s key characters with Camera A, and a second camera team (called the second unit) will shoot other footage with Camera B, where you do not need the main actors present. The footage from Camera A is called A-roll, and the footage from Camera B is called B-roll. Both were named in the early days when movies were exclusively shot using rolls of film (Figure 8.1):

Figure 8.1: Image of rolls of film (LDGE at English Wikipedia): https://en.wikipedia.org/wiki/

Figure 8.1: Image of rolls of film (LDGE at English Wikipedia): https://en.wikipedia.org/wiki/

Since B-roll from the second unit is used to capture elements of the story where the main actor is not needed, this frees up time for the main unit to focus on the main story, while the second unit captures other shots for the edit such as cut-ins or cutaways. Cut-ins...

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