In his biography, the architect of the Sydney Opera House, Jørn Utzon, talks about his Nordic sense of concern for nature, which, in his design, is emphasized in the synthesis of form, material, and function. His fascination with the architectural legacies of the ancient Mayas, the Islamic world, China, and Japan also enhanced his vision.

This developed into what Utzon later referred to as Additive Architecture, comparing his approach to the growth patterns of nature. A design can grow like a tree, he explained, saying, "If it grows naturally, then the architecture will look after itself."

The construction of the Sydney Opera House began in 1959 and was formally completed in 1973. In total, it ended up costing $69 million during its 15 years of construction. Much like any enterprise CRM project, it was built in three stages:

Yet, if we go back to the original cost and time plan estimate from 1957, the entire projected cost was AU$7 million, and the completion date was due to be January 1963. In reality, the project was completed with a 10-year delay and ended up coming in at 1,300% over budget.

There were numerous disagreements between the architect and the client, and in February 1966, Utzon resigned from the project. The newly appointed architect found himself with an enormous amount of work ahead of him. His task was huge, with many required aspects of the design, such as capacity, acoustics, and structure, having been completely unresolved by Utzon. There were countless issues that he had to face, such as the unexpected difficulty in diverting stormwater. This one issue resulted from construction work beginning before proper construction drawings and planning had been prepared.

Changes were made to the original contract documents, including one that meant the podium columns were not strong enough to support the roof structure, and thus had to be rebuilt, adding a delay to the completion date and more cost to the overall project. The curved shells of the roof also caused a number of problems because they were so difficult to calculate for.

With this project, it was often found that new architectural territory had to be entered and the problems faced were corrected as they were encountered. Through this approach, the design often had to be adapted to new realities on the fly. Years later, the complex geometry of the roof alone, which was redesigned over 12 times in six years, resulted in extensive renovation and redesign work having to take place after only 50 years, which is now due to take until 2021.

On the other hand, the Taj Mahal, which was commissioned by the Mughal Emperor Shah Jahan to house the tomb of his wife, is a masterpiece of architectural design in regard to security, simplicity, performance, and usability. The tomb is the centerpiece of a 17-hectare (42-acre) complex, which includes a mosque and a guest house. All of this is set in formal gardens bounded on three sides by a fortified wall, such as that of a city or a castle.

The Taj Mahal was commissioned in 1632 and the construction of the mausoleum was essentially completed in 1643, after only 11 years. The entire complex is believed to have been completed in its entirety in 1653, at a cost estimated at the time to be around 32 million rupees. Compared to the Sydney Opera House, this project was delivered on time and on budget.

The Taj Mahal has never had any major architectural deficiencies in the 400 years that it's been around. The complex surrounding the building has, over the years, changed its original purpose several times ever since its construction some 400 years ago. Originally serving as a mausoleum, before serving time as a caravanserais, bazaars, and markets, before now serving as a popular tourist site and mosque. Taj Mahal is today one of the major sources of tourism income in India, with some 10 million paying visitors attending each year.

32 million rupees converted from 400 years ago to the current inflation rate of India's currency is almost impossible to calculate. However, a Taj Mahal copy on a 1:1 scale was built by a wealthy private man in Bangladesh. Located about 16 km east of Dhaka in Sonargaon, the construction took five years (2003-2008) to complete, and the cost was reported to be about 58 million dollars, or over four billion rupees.

Will this replica be as successful as the original one? I highly doubt that, but going back to the topic of this book, the same idea can be applied in the CRM space. You cannot replicate the exact same solution by taking it from one company to another and expect it to be as successful. In some cases, as we will see, you cannot even replicate it in the same company if the company is operating across different markets. Each CRM system is built for a specific company and adapted to its culture, supporting the specific business strategies of that company.

The examples in this book will give you a great range of material to support your CRM design. While I'll be highlighting critical success factors, it's important to remember that, as I've stated, these designs are not universal, and they will not work exactly the same outside of their original design; for example, they will not work in another business context. However, the same ideas can be applied outside of their original design.