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Final Cut Pro Efficient Editing

You're reading from   Final Cut Pro Efficient Editing The ultimate guide to editing video with FCP 10.7.1 for faster, smarter workflows

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Product type Paperback
Published in Jul 2023
Publisher Packt
ISBN-13 9781837631674
Length 828 pages
Edition 2nd Edition
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Author (1):
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Iain Anderson Iain Anderson
Author Profile Icon Iain Anderson
Iain Anderson
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Table of Contents (23) Chapters Close

Preface PART 1: Importing and Organizing
1 Quick Start: An Introduction to FCP FREE CHAPTER 2 Before the Edit: Production Tips 3 Bring It In: Importing Your Footage 4 Sort It Out: Reviewing and Keywording 5 Choose Your Favorites: Selecting, Rating, and Searching PART 2: Rough Cut to Fine Cut
6 Build the spine of the story: Quick Assembly 7 Cover It Up: Connections, Cutaways, and Storylines 8 Neaten the Edges: Trimming Techniques 9 Consider Your Options: Multicam, Replacing, and Auditions 10 Explore a Little: Compound Clips and Timeline Tricks PART 3: Finishing and Exporting
11 Play with Light: Color Correction and Grading 12 Refine and Smooth: Video Properties and Effects 13 Blend and Warp: Video Transitions and Retiming 14 Boost the Signal: Audio Sweetening 15 A Few Words: Titles and Generators 16 You’re Done: Exporting Your Edit and Finishing Up Other Books You May Enjoy Index Appendix A: 360° Video Workflows

Managing everything on set

You’ve picked a camera and audio recorders, everything’s charged, and you know what kinds of shots to capture — what next?

Most importantly, if you’re working with more than one device, be sure to synchronize the clocks (to the second!) on all of the devices before you record anything. This will make the syncing process far easier, and you’d be surprised at how quickly cameras and recorders can drift from the correct time.

If you’ve bought a camera that lets you customize the names of the files it produces, set up each camera to make files with different names. My A and B cameras make files that start with P_IA and P_IB to make life easy, and a shooting colleague uses P1RC and P2RC.

With or without this feature, label the physical media cards so that you don’t get confused about which card is which:

Figure 2.26: No duplicate names here, and I can tell at a glance which camera each clip was shot on

Figure 2.26: No duplicate names here, and I can tell at a glance which camera...

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