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Avid Media Composer 6.x Cookbook

You're reading from   Avid Media Composer 6.x Cookbook What better way to learn the professional editing possibilities of Avid Media Composer than by trying out practical, real-world examples? This book has over 160 hands-on recipes and guidance covering both basic and advanced techniques.

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Product type Paperback
Published in Dec 2012
Publisher Packt
ISBN-13 9781849693004
Length 422 pages
Edition 1st Edition
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Author (1):
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Benjamin Hershleder Benjamin Hershleder
Author Profile Icon Benjamin Hershleder
Benjamin Hershleder
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Toc

Table of Contents (20) Chapters Close

Avid Media Composer 6.x Cookbook
Credits
About the Author
Acknowledgement
About the Reviewers
www.PacktPub.com
Preface
1. Getting Assets into Your Media Composer Project FREE CHAPTER 2. Customizing Your Work Environment 3. Polishing Gems 4. Creating Split Edits 5. Maintaining and Regaining Sync 6. Managing Your Media Files 7. Mono and Stereo Audio Mixing 8. Editing with Group Clips and MultiCamera Mode 9. Output Tips and Tricks Additional Tips, Tricks, and Explanations Details on Trimming, Slipping, Sliding, and Segment Mode Helpful Details about MultiCamera Editing Index

Syncing and Grouping clips with common timecode


This is syncing and Grouping method number one of three presented in this chapter. It refers to syncing and creating Group Clips (also known as Grouping) when all the footage shares the exact same timecode. This is frequently referred to as Common or Jam-Synced timecode.

This is the fastest and easiest method as long as the production prepared properly before shooting. See Appendix C, Helpful Details about MultiCamera Editing and the There's more section for additional details.

Getting ready

For this recipe, we'll use the example of a narrative television show (commonly a situation comedy) that was shot with four cameras: A, B, C, and D. In actuality, in television, the fourth camera is generally labeled as X, which I presume is to avoid confusion between cameras B and D during a live production when the Director tells the Technical Director (in the UK referred to as the Vision Switcher) which camera to switch to.

This recipe presumes that:

  • All...

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