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The Music Producer's Creative Guide to Ableton Live 11

You're reading from   The Music Producer's Creative Guide to Ableton Live 11 Level up your music recording, arranging, editing, and mixing skills and workflow techniques

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Product type Paperback
Published in Mar 2023
Publisher Packt
ISBN-13 9781801817639
Length 468 pages
Edition 1st Edition
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Author (1):
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Anna Lakatos Anna Lakatos
Author Profile Icon Anna Lakatos
Anna Lakatos
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Table of Contents (23) Chapters Close

Preface 1. Part 1: The Live Concept and Workflow
2. Chapter 1: Taking a Quick Tour of Ableton Live 11 FREE CHAPTER 3. Chapter 2: Recording Audio in Ableton Live 11 4. Chapter 3: Editing Audio and Warping 5. Chapter 4: Exploring MIDI Sequencing Techniques 6. Chapter 5: MIDI Editing and MIDI Effects 7. Part 2: Creative Music Production Techniques with Ableton Live 11
8. Chapter 6: Comping and Track Linking 9. Chapter 7: Discovering Some of Live 11’s Creative Audio Effects 10. Chapter 8: Exploring Device Racks in Live 11 11. Chapter 9: Audio to MIDI Conversion, Slicing to MIDI, and the Simpler Device 12. Chapter 10: Utilizing Arrangement and Organization Techniques in our Ableton Live Project 13. Chapter 11: Implementing Automation and Modulation 14. Chapter 12: Getting Started with MPE in Ableton Live 11 15. Part 3: Deep Dive into Ableton Live
16. Chapter 13: Exploring Tempo Follower, Follow Action, Max for Live, Working with Video, and Ableton Note 17. Chapter 14: Exploring MIDI Mapping, External Instrument, and MIDI CCs 18. Chapter 15: Playing Live 19. Chapter 16: Interesting Mixing Techniques in Live 11 20. Chapter 17: Troubleshooting and File Management 21. Index 22. Other Books You May Enjoy

Summary

And with that, we have reached the end of this chapter.

I hope this chapter gets your creative juices flowing!

We looked at how we can use audio-to-MIDI conversion to extract MIDI data out of audio material and customize it to our taste so that we can build on it, which is sometimes just what we need when we don’t seem to be able to get started creatively.

We also looked at how to turn MIDI data into audio by using the Freeze and Flatten functions.

We also explored how we can slice audio to MIDI to be able to trigger the audio slices with MIDI data, as well as exploring the Simpler device, not just to slice and dice but also to have a look at the sound design possibilities that this “simple” but powerful device can provide us with.

In the next chapter, we will dive into arrangement techniques and project organization!

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