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Apple Motion 5 Cookbook

You're reading from   Apple Motion 5 Cookbook With this book you'll be able to fully exploit the fantastic features of Apple Motion. There are over 110 recipes with downloadable content for each chapter and stacks of screenshots. A video editor's dream.

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Product type Paperback
Published in May 2013
Publisher Packt
ISBN-13 9781849693806
Length 416 pages
Edition 1st Edition
Tools
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Author (1):
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Nicholas Harauz Nicholas Harauz
Author Profile Icon Nicholas Harauz
Nicholas Harauz
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Toc

Table of Contents (20) Chapters Close

Apple Motion 5 Cookbook
Credits
About the Author
Acknowledgement
About the Reviewers
www.PacktPub.com
Preface
1. Getting Around the Interface FREE CHAPTER 2. Looking at Motion's Library 3. Making It Move with Behaviors 4. Making It Move with Keyframes 5. Let's Make Text 6. Paint and Masks 7. Let's Make Particles 8. Replicators – It's No Fun By Yourself 9. Motion Tracking and Keying 10. Intro to 3D 11. Publishing Your Work to FCP X 12. Customization and Exporting Index

The relationship between shapes and Paint


When you start to dig deep and look under the hood of Motion, you'll start to see that several different tools and systems that exist are derived from the same engine. Nothing could be more true about shapes and Paint. Let's take a look to see how they're related.

How to do it...

In this exercise, we're going to create a shape and see how we can turn it into a brush stroke.

  1. Launch Motion and choose a project with a Preset of Broadcast 720p, Frame Rate of 29.97, and with a Duration of 8 seconds. Press Shift + Z to fit the Canvas window. Select the Line tool underneath the Rectangle tool on the toolbar as shown in the following screenshot. Make sure you're at the beginning of the project.

  2. Drag a line across the screen, holding down the Shift key to keep it straight. Press the Esc key to go back to the Selection tool and the F7 key to bring up the HUD.

  3. Change the line to a color of your choosing and notice in the following screenshot how the icon next...

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