Search icon CANCEL
Arrow left icon
Explore Products
Best Sellers
New Releases
Books
Videos
Audiobooks
Learning Hub
Conferences
Free Learning
Arrow right icon
Arrow up icon
GO TO TOP
The Music Producer's Ultimate Guide to FL Studio 21

You're reading from   The Music Producer's Ultimate Guide to FL Studio 21 From beginner to pro: compose, mix, and master music

Arrow left icon
Product type Paperback
Published in Jun 2023
Publisher Packt
ISBN-13 9781837631650
Length 462 pages
Edition 2nd Edition
Languages
Arrow right icon
Author (1):
Arrow left icon
Joshua Au-Yeung Joshua Au-Yeung
Author Profile Icon Joshua Au-Yeung
Joshua Au-Yeung
Arrow right icon
View More author details
Toc

Table of Contents (20) Chapters Close

Preface 1. Section I: Getting Up and Running with FL Studio
2. Getting Started with FL Studio FREE CHAPTER 3. Exploring the Browser, Playlist, and Channel Rack 4. Composing with the Piano Roll 5. Routing to the Mixer and Applying Automation 6. Section II: Music Production Fundamentals
7. Sound Design and Audio Envelopes 8. Compression, Sidechaining, Limiting, and Equalization 9. Stereo Width (Panning, Reverb, Delay, Chorus, and Flangers) and Distortion 10. Recording Live Audio and Vocal Processing 11. Vocoders and Vocal Chops 12. Creating Your Own Instruments and Effects 13. Intermediate Mixing Topics and Sound Design Plugin Effects 14. Section III: Postproduction and Publishing Your Music
15. Mastering Fundamentals 16. Marketing, Content Creation, Getting Fans, and Going Viral 17. Publishing and Selling Music Online 18. Other Books You May Enjoy
19. Index

Understanding mix buses

When you have two or more mixer channels routed into a single mixer channel, we call the combined audio a bus, also known as a mix bus. Buses are useful for combining sounds together and making them appear related to one another.

The master channel is a type of bus that collects audio from all the other mixer channels. Most of the time, when we talk about a bus, we aren’t referring to the master channel, though.

You can generally think of a bus as a checkpoint along the way to the master channel. Does the audio coming out of the bus sound good so far up to this point? In most songs, you will have a bus for your drums, a bus combining the layering of your instruments, and a bus for your vocals.

Let’s set up a mix bus in our mixer:

  1. Load up two instruments in the channel rack, add some notes, and copy those notes to both instruments.
  2. Route both instruments to separate new mixer channels.
  3. In the mixer, select both...
lock icon The rest of the chapter is locked
Register for a free Packt account to unlock a world of extra content!
A free Packt account unlocks extra newsletters, articles, discounted offers, and much more. Start advancing your knowledge today.
Unlock this book and the full library FREE for 7 days
Get unlimited access to 7000+ expert-authored eBooks and videos courses covering every tech area you can think of
Renews at €18.99/month. Cancel anytime