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LMMS: A Complete Guide to Dance Music Production

You're reading from   LMMS: A Complete Guide to Dance Music Production

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Product type Paperback
Published in Sep 2012
Publisher Packt
ISBN-13 9781849517041
Length 384 pages
Edition 1st Edition
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Author (1):
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David Earl David Earl
Author Profile Icon David Earl
David Earl
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Table of Contents (15) Chapters Close

Preface 1. Gearing Up: A Preflight Checklist FREE CHAPTER 2. Getting Our Feet Wet: Exploring LMMS 3. Getting Our Hands Dirty: Creating in LMMS 4. Expanding the Beat: Digging Deeper into the Art of Beatmaking 5. Making Spaces: Creating the Emotional Landscape 6. Finding and Creating New Noises 7. Getting It All Stacked Up 8. Spreading Out the Arrangement 9. Gluing the Arrangement Together 10. Getting the Mix Together 11. Getting into Instruments 12. Where to Go from Here A. Pop quiz—Answers Index

Time for action—adding in effects over time

In the piece One by Swedish House Mafia, we heard a section where reverb was subtly added to a clap to create a transition from one section to another. Let's do this on our AM bassline. To do this, follow these steps:

  1. Add a reverb to the AM bassline. Use Freeverb.
  2. Select the AM Radio Bass track.
  3. Create a new Automation Track. Use this button:
    Time for action—adding in effects over time
  4. Use the settings, shown in the following screenshot, on Freeverb:
    Time for action—adding in effects over time
  5. Now, press Ctrl and click on the room size knob, and drag it to the new automation track. Place it at bar 9.
  6. Open the automation window, and make this shape again:
    Time for action—adding in effects over time
  7. Now listen to the new effect on the AM Radio Bass. You should hear the reverb gradually grow. This adds energy to the track, so turn the volume back at least 4 dB on the instrument itself.

What just happened?

Now we are using slow integration of effects on an instrument track as a transition!

Using automation to create transitions will take a static sound and make it appear to...

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