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Generative AI with Python and TensorFlow 2

You're reading from   Generative AI with Python and TensorFlow 2 Create images, text, and music with VAEs, GANs, LSTMs, Transformer models

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Product type Paperback
Published in Apr 2021
Publisher Packt
ISBN-13 9781800200883
Length 488 pages
Edition 1st Edition
Languages
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Authors (2):
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Raghav Bali Raghav Bali
Author Profile Icon Raghav Bali
Raghav Bali
Joseph Babcock Joseph Babcock
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Joseph Babcock
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Table of Contents (16) Chapters Close

Preface 1. An Introduction to Generative AI: "Drawing" Data from Models 2. Setting Up a TensorFlow Lab FREE CHAPTER 3. Building Blocks of Deep Neural Networks 4. Teaching Networks to Generate Digits 5. Painting Pictures with Neural Networks Using VAEs 6. Image Generation with GANs 7. Style Transfer with GANs 8. Deepfakes with GANs 9. The Rise of Methods for Text Generation 10. NLP 2.0: Using Transformers to Generate Text 11. Composing Music with Generative Models 12. Play Video Games with Generative AI: GAIL 13. Emerging Applications in Generative AI 14. Other Books You May Enjoy
15. Index

Style transfer and image transformation

In addition to mapping artificial images to a space of random numbers, we can also use generative models to learn a mapping between one kind of image and a second. This kind of model can, for example, be used to convert an image of a horse into that of a zebra (Figure 1.7), create deep fake videos in which one actor's face has been replaced with another's, or transform a photo into a painting (Figures 1.2 and 1.4):21

Figure 1.7: CycleGANs apply stripes to horses to generate zebras22

Another fascinating example of applying generative modeling is a study in which lost masterpieces of the artist Pablo Picasso were discovered to have been painted over with another image. After X-ray imaging of The Old Guitarist and The Crouching Beggar indicated that earlier images of a woman and a landscape lay underneath (Figure 1.8), researchers used the other paintings from Picasso's blue period or other color photographs (Figure...

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