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Edit without Tears with Final Cut Pro

You're reading from   Edit without Tears with Final Cut Pro Elevate your video editing skills with professional workflows and techniques

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Product type Paperback
Published in Mar 2024
Publisher Packt
ISBN-13 9781804614921
Length 708 pages
Edition 1st Edition
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Author (1):
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Bruce G. Macbryde Bruce G. Macbryde
Author Profile Icon Bruce G. Macbryde
Bruce G. Macbryde
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Table of Contents (27) Chapters Close

Preface 1. Prologue 2. Part 1:Planning FREE CHAPTER
3. Chapter 1: It’s All about the Media 4. Chapter 2: Organizing Media 5. Chapter 3: Planning the Video Story 6. Chapter 4: Pre-Editing a Rough Cut 7. Part 2:Editing
8. Chapter 5: Refining the Rough Cut 9. Chapter 6: Fixing and Enhancing the Audio 10. Chapter 7: Titles, Effects, and Generators 11. Chapter 8: Setting Up and Editing Multicam 12. Chapter 9: Project Workflows – Pace and Structure 13. Part 3:Using the Inspector
14. Chapter 10: The Inspector Controls 15. Chapter 11: Using Built-In Plug-Ins 16. Chapter 12: Using Third-Party Plug-Ins 17. Chapter 13: Using Keyframes to Animate Objects in Final Cut Pro 18. Chapter 14: Understanding the Principles of Color 19. Chapter 15: Using Color Scopes for Advanced Color Correction 20. Part 4: Outside Final Cut Pro
21. Chapter 16: Your Job Role – Collaboration 22. Chapter 17: Supporting Software Applications for Final Cut Pro 23. Chapter 18: Troubleshooting Final Cut Pro 24. Chapter 19: Backing Up and Archiving Libraries 25. Index 26. Other Books You May Enjoy

Suggestions for filming to suit multicam editing

If you are filming or can make suggestions to the shooters, the ideas described in this section will make the multicam editing process much easier for you. Multicam synchronization relies mostly on audio for non-feature-film shoots. The previous section on how cameras are synchronized discussed the timecode being used in bigger shoots. When filming with several cameras, some basic ground rules will help Final Cut Pro to be able to sync the different camera footage together. Let’s see what they are.

Audio

The obvious first item to be aware of is that the same audio should be recorded on all cameras in the shoot. If you have a camera that does not record audio, make sure that a clapperboard or the like is visible on all cameras, or at least two where one has audio.

The two-minute rule

Next is to record for at least two minutes before stopping the camera. In events, it is a good rule to turn all main cameras on together...

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