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Edit without Tears with Final Cut Pro

You're reading from   Edit without Tears with Final Cut Pro Elevate your video editing skills with professional workflows and techniques

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Product type Paperback
Published in Mar 2024
Publisher Packt
ISBN-13 9781804614921
Length 708 pages
Edition 1st Edition
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Author (1):
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Bruce G. Macbryde Bruce G. Macbryde
Author Profile Icon Bruce G. Macbryde
Bruce G. Macbryde
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Toc

Table of Contents (27) Chapters Close

Preface 1. Prologue 2. Part 1:Planning FREE CHAPTER
3. Chapter 1: It’s All about the Media 4. Chapter 2: Organizing Media 5. Chapter 3: Planning the Video Story 6. Chapter 4: Pre-Editing a Rough Cut 7. Part 2:Editing
8. Chapter 5: Refining the Rough Cut 9. Chapter 6: Fixing and Enhancing the Audio 10. Chapter 7: Titles, Effects, and Generators 11. Chapter 8: Setting Up and Editing Multicam 12. Chapter 9: Project Workflows – Pace and Structure 13. Part 3:Using the Inspector
14. Chapter 10: The Inspector Controls 15. Chapter 11: Using Built-In Plug-Ins 16. Chapter 12: Using Third-Party Plug-Ins 17. Chapter 13: Using Keyframes to Animate Objects in Final Cut Pro 18. Chapter 14: Understanding the Principles of Color 19. Chapter 15: Using Color Scopes for Advanced Color Correction 20. Part 4: Outside Final Cut Pro
21. Chapter 16: Your Job Role – Collaboration 22. Chapter 17: Supporting Software Applications for Final Cut Pro 23. Chapter 18: Troubleshooting Final Cut Pro 24. Chapter 19: Backing Up and Archiving Libraries 25. Index 26. Other Books You May Enjoy

General techniques

In this section, we will explore a range of general techniques that can complement our overall editing process.

Cutting angles with a green screen

Earlier in this chapter, in the Interviews section, you looked at the technique that uses 4K footage and allows you to zoom into an image by 50%, without losing quality in the 1080p timeline. With the image being 50% larger, you can, at the next cut, return Scale (All) to 100% and repeat the change from 100% to 150% for each alternative clip by using the Paste Attributes command. However, this is much more complex when the interview is filmed in front of a green screen. When a green screen is not involved, changing the angle to 150% also increases the size of the background to 150%. The same applies to the background when the cut is returned to the original size; the face and the background both return to 100%.

Figure 9.44 – 4K footage – 100% on the left and 150% on the right

Figure 9.44 – 4K footage – 100% on the left and 150% on the right...

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