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Video Editing Made Easy with DaVinci Resolve 18

You're reading from   Video Editing Made Easy with DaVinci Resolve 18 Create quick video content for your business, the web, or social media

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Product type Paperback
Published in May 2023
Publisher Packt
ISBN-13 9781801075251
Length 340 pages
Edition 1st Edition
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Author (1):
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Lance Phillips Lance Phillips
Author Profile Icon Lance Phillips
Lance Phillips
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Table of Contents (20) Chapters Close

Preface 1. Part 1: A Quick Start to DaVinci
2. Chapter 1: Getting Started with Resolve – Publishing Your First Cut FREE CHAPTER 3. Chapter 2: Adding Titles and Motion Graphics 4. Chapter 3: Polishing the Camera Audio – Getting It in Sync 5. Chapter 4: Adding Narration, Voice Dubbing, and Subtitles 6. Chapter 5: Creating Additional Sound 7. Part 2: Fixing Audio and Video
8. Chapter 6: Working with Archive Footage 9. Chapter 7: Stabilizing Shaky Footage 10. Chapter 8: Hiding the Cut – Making Our Edits Invisible 11. Part 3: Advanced Techniques
12. Chapter 9: Adding Special Effects 13. Chapter 10: Split Screens and Picture-in-Picture 14. Chapter 11: Enhancing Color for Mood or Style 15. Chapter 12: Studio-Only Techniques 16. Glossary 17. Answers to Questions 18. Index 19. Other Books You May Enjoy

Understanding continuity editing

One use of cut-ins and cutaways is to help with continuity editing. Continuity editing is an editing technique where we aim to maintain the timing of the clips on the Timeline as if the action is happening in a continuous moment in time (even if the clips were shot at different times or on different days). Rather than try and understand it with a definition, it is easier to demonstrate it in the following exercise using the The_Wedding project that we downloaded earlier.

Even though we have stabilized the wedding video footage, there are still parts of the clips that we cannot fix, such as the camera drifting in and out of focus.

We will need to cut these out and hide the resulting jump cut with other B-roll footage, which was shot at a different time by a wedding guest. I have already color-coded the B-roll footage we are going to use as a teal color and the master footage as a lime green color to make them easier to find and differentiate. If...

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