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LMMS: A Complete Guide to Dance Music Production

You're reading from   LMMS: A Complete Guide to Dance Music Production

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Product type Paperback
Published in Sep 2012
Publisher Packt
ISBN-13 9781849517041
Length 384 pages
Edition 1st Edition
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Author (1):
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David Earl David Earl
Author Profile Icon David Earl
David Earl
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Table of Contents (15) Chapters Close

Preface 1. Gearing Up: A Preflight Checklist FREE CHAPTER 2. Getting Our Feet Wet: Exploring LMMS 3. Getting Our Hands Dirty: Creating in LMMS 4. Expanding the Beat: Digging Deeper into the Art of Beatmaking 5. Making Spaces: Creating the Emotional Landscape 6. Finding and Creating New Noises 7. Getting It All Stacked Up 8. Spreading Out the Arrangement 9. Gluing the Arrangement Together 10. Getting the Mix Together 11. Getting into Instruments 12. Where to Go from Here A. Pop quiz—Answers Index

Time for action—editing note length and root pitch in the Beats+Bassline Editor

Almost all instruments in the electronic music world give us the opportunity to shape the pitch and duration of sound using simple parameters. Let's have a look at some of the ways we can use the basic synth parameters to bend the sound to our will:

  1. Click on the synth in the editor and then look for this area:
    Time for action—editing note length and root pitch in the Beats+Bassline Editor
  2. Let's click on the area called ENV/LFO. This should open a screen that looks similar to the following screenshot:
    Time for action—editing note length and root pitch in the Beats+Bassline Editor

    Note

    An envelope is a way of altering the knobs controlling an instrument over time.

  3. This area of the instrument is where we are going to alter the length of the triggered sound. There are seven knobs related to how this particular envelope is affecting volume on this instrument. We're going to deal with the HOLD knob.
  4. Turn the HOLD knob to 0.
  5. Now our sound has the proper length. It's pitched a bit high, though.
  6. Look to the keyboard at the bottom of the instrument. Do you...
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