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Unlock Your Creativity with Photopea

You're reading from   Unlock Your Creativity with Photopea Edit and retouch images, and create striking text and designs with the free online software

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Product type Paperback
Published in Jul 2024
Publisher Packt
ISBN-13 9781801816649
Length 478 pages
Edition 1st Edition
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Author (1):
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Michael Burton Michael Burton
Author Profile Icon Michael Burton
Michael Burton
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Table of Contents (21) Chapters Close

Preface 1. Part 1: Getting Started With Photopea
2. Chapter 1: Taking Your Design and Editing to the Next Level with Photopea FREE CHAPTER 3. Chapter 2: Creating and Working with Image Editing Documents in Photopea 4. Chapter 3: Navigating and Utilizing the Workspace 5. Chapter 4: Layer Management: Creating, Organizing, and Applying Advanced Features 6. Chapter 5: Understanding Selection Fundamentals 7. Part 2: Digital Imaging, Design Techniques, and Other Software
8. Chapter 6: Color Theory and Application 9. Chapter 7: Using and Creating Brushes 10. Chapter 8: Photo Retouching Techniques 11. Chapter 9: Exploring Advanced Image Compositing Techniques 12. Chapter 10: Text Fundamentals and Styling in Photopea 13. Chapter 11: Pre-Designed Templates, Extra Effects, and Features Overview 14. Part 3: Drawing Figures, Creating a Logo, and Other Features
15. Chapter 12: Advanced Color Techniques 16. Chapter 13: Bonus: How to Draw and Paint a Figure and Character 17. Chapter 14: Bonus: How to Create a Logo 18. Chapter 15: Tips, Tricks, and Best Practices 19. Index 20. Other Books You May Enjoy

Creating a black and white logo

After working on a variety of sketches and rough ideas for the MIC logo, we should narrow down our choices and further develop a few of the logos into polished designs. We will explore a few of the ways we can achieve a polished black and white logo in this section.

Over the years, I’ve learned it’s best to work in black and white so that you don’t spend a lot of time (wasted time) on the small details such as how many colors to use, whether you should add gradients and drop shadows, and so on. You can do all of that now, but may not like the design by the time you finish. By leaving all of those details until last, you can focus on the important parts of the design with a clear mind.

With that being said, let’s get started on finishing one of the three best logos from the sketches. I have included the example Figure 14.8 in the resources folder if you would like to follow along.

  1. I will use a combination of tracing...
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