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Final Cut Pro Efficient Editing

You're reading from   Final Cut Pro Efficient Editing The ultimate guide to editing video with FCP 10.7.1 for faster, smarter workflows

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Product type Paperback
Published in Jul 2023
Publisher Packt
ISBN-13 9781837631674
Length 828 pages
Edition 2nd Edition
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Author (1):
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Iain Anderson Iain Anderson
Author Profile Icon Iain Anderson
Iain Anderson
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Table of Contents (23) Chapters Close

Preface PART 1: Importing and Organizing
1 Quick Start: An Introduction to FCP FREE CHAPTER 2 Before the Edit: Production Tips 3 Bring It In: Importing Your Footage 4 Sort It Out: Reviewing and Keywording 5 Choose Your Favorites: Selecting, Rating, and Searching PART 2: Rough Cut to Fine Cut
6 Build the spine of the story: Quick Assembly 7 Cover It Up: Connections, Cutaways, and Storylines 8 Neaten the Edges: Trimming Techniques 9 Consider Your Options: Multicam, Replacing, and Auditions 10 Explore a Little: Compound Clips and Timeline Tricks PART 3: Finishing and Exporting
11 Play with Light: Color Correction and Grading 12 Refine and Smooth: Video Properties and Effects 13 Blend and Warp: Video Transitions and Retiming 14 Boost the Signal: Audio Sweetening 15 A Few Words: Titles and Generators 16 You’re Done: Exporting Your Edit and Finishing Up Other Books You May Enjoy Index Appendix A: 360° Video Workflows

Exchanging one clip with another

Multicam angles are a delightful luxury, but even without them, you’ve got more flexibility than you might think. If, for example, you prefer one reaction shot to another, it doesn’t matter if that reaction was reacting to those exact words at that exact time — it can be from any take, as long as nobody’s lips are seen moving incorrectly. If you can see someone’s lips moving to words you can’t hear, or see lips not moving when you can hear they should be, you’re pretty much locked into the matching audio for that shot.

IMPORTANT NOTE

Once you realize this, you’ll see that reaction shots are frequently “cheated” in this way. An editor will often end up choosing the best reaction shot, and if you can see the head movements of a person actually speaking, you’ll notice that the words they’re saying probably aren’t quite in sync, or worse, are from a completely...

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