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Apple Motion 5 Cookbook

You're reading from   Apple Motion 5 Cookbook With this book you'll be able to fully exploit the fantastic features of Apple Motion. There are over 110 recipes with downloadable content for each chapter and stacks of screenshots. A video editor's dream.

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Product type Paperback
Published in May 2013
Publisher Packt
ISBN-13 9781849693806
Length 416 pages
Edition 1st Edition
Tools
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Author (1):
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Nicholas Harauz Nicholas Harauz
Author Profile Icon Nicholas Harauz
Nicholas Harauz
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Toc

Table of Contents (20) Chapters Close

Apple Motion 5 Cookbook
Credits
About the Author
Acknowledgement
About the Reviewers
www.PacktPub.com
Preface
1. Getting Around the Interface FREE CHAPTER 2. Looking at Motion's Library 3. Making It Move with Behaviors 4. Making It Move with Keyframes 5. Let's Make Text 6. Paint and Masks 7. Let's Make Particles 8. Replicators – It's No Fun By Yourself 9. Motion Tracking and Keying 10. Intro to 3D 11. Publishing Your Work to FCP X 12. Customization and Exporting Index

Understanding and changing the interpolation


The way your objects travel from one keyframe to another can vary depending on the interpolation set between the two images. The default interpolation varies depending on the parameter you have selected. In most situations, this would either be set to Bezier or Linear. Let's look at some of the ways we can change the path of travel using different types of interpolation that are available to us in the Keyframe Editor.

How to do it...

  1. From this chapter's exercise files, open the 04_08 project.

  2. This project consists of a Butterfly.mov file, which is too short for our project. Luckily, we may be able to try and loop the animation to prepare the file for keyframing. With the Butterfly.mov file selected in the Layers tab, press F1 to go to the Properties tab of the Inspector.

  3. At the very bottom of the Properties tab is the Timing pane. With your mouse, hover over to the right of the word Timing and click on the word Show to reveal the content of the pane...

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