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The Music Producer's Ultimate Guide to FL Studio 21

You're reading from   The Music Producer's Ultimate Guide to FL Studio 21 From beginner to pro: compose, mix, and master music

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Product type Paperback
Published in Jun 2023
Publisher Packt
ISBN-13 9781837631650
Length 462 pages
Edition 2nd Edition
Languages
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Author (1):
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Joshua Au-Yeung Joshua Au-Yeung
Author Profile Icon Joshua Au-Yeung
Joshua Au-Yeung
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Table of Contents (20) Chapters Close

Preface 1. Section I: Getting Up and Running with FL Studio
2. Getting Started with FL Studio FREE CHAPTER 3. Exploring the Browser, Playlist, and Channel Rack 4. Composing with the Piano Roll 5. Routing to the Mixer and Applying Automation 6. Section II: Music Production Fundamentals
7. Sound Design and Audio Envelopes 8. Compression, Sidechaining, Limiting, and Equalization 9. Stereo Width (Panning, Reverb, Delay, Chorus, and Flangers) and Distortion 10. Recording Live Audio and Vocal Processing 11. Vocoders and Vocal Chops 12. Creating Your Own Instruments and Effects 13. Intermediate Mixing Topics and Sound Design Plugin Effects 14. Section III: Postproduction and Publishing Your Music
15. Mastering Fundamentals 16. Marketing, Content Creation, Getting Fans, and Going Viral 17. Publishing and Selling Music Online 18. Other Books You May Enjoy
19. Index

Applying sidechaining

Sidechaining (also known as ducking) is a compression technique where you use the input of one sound source to determine when to compress a second sound. This technique is used extensively in pop and electronic dance music to sidechain bass instruments whenever a kick drum sound occurs. The result is a rhythmic pumping bass sound associated with the urge to tap your feet and bob your head.

Sidechaining in electronic dance music uses the following rationale: sidechaining the bass sound reduces the bass sound when the kick drum comes in. This frees up space to allow the kick sound transient to punch through and focuses your ears’ attention more on the kick.

It should be noted that sidechaining can be applied to any sound and doesn’t have to involve percussion at all. A sidechain pumping sound of an instrument can be used on its own. For example, you may want to sidechain the bass instrument, even if you don’t have any percussion playing...

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