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LMMS: A Complete Guide to Dance Music Production

You're reading from   LMMS: A Complete Guide to Dance Music Production

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Product type Paperback
Published in Sep 2012
Publisher Packt
ISBN-13 9781849517041
Length 384 pages
Edition 1st Edition
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Author (1):
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David Earl David Earl
Author Profile Icon David Earl
David Earl
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Table of Contents (15) Chapters Close

Preface 1. Gearing Up: A Preflight Checklist FREE CHAPTER 2. Getting Our Feet Wet: Exploring LMMS 3. Getting Our Hands Dirty: Creating in LMMS 4. Expanding the Beat: Digging Deeper into the Art of Beatmaking 5. Making Spaces: Creating the Emotional Landscape 6. Finding and Creating New Noises 7. Getting It All Stacked Up 8. Spreading Out the Arrangement 9. Gluing the Arrangement Together 10. Getting the Mix Together 11. Getting into Instruments 12. Where to Go from Here A. Pop quiz—Answers Index

Time for action—editing samples with the Audiofile processor

The Audiofile Processor is an excellent way to incorporate sound files into a project. Let's explore it:

  1. Double-click on this area:
    Time for action—editing samples with the Audiofile processor
  2. We will now see the Instrument Editor which will look similar to the following:
  3. The Audiofile Processor has our bass drum sample loaded in it and we're going to try and clip the tail off of our sample a little bit.
  4. See the knob that says END? Click-and-hold on that knob until you get a value of about 60.

Tip

To get a precise setting for a value in LMMS, double-click the knob you wish to use. A parameter can be entered from your computer's keyboard.

What just happened?

You'll see that the sample's endpoint has pulled forward a bit (that is towards the right). This means our sample is not playing all the way through and that strange, pitched tail of the sample is now sounding more normal.

After we've done this, our bass drum sounds a bit better, but now it clicks a little...

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