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Final Cut Pro Efficient Editing

You're reading from   Final Cut Pro Efficient Editing A step-by-step guide to smart video editing with FCP 10.6

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Product type Paperback
Published in Oct 2020
Publisher Packt
ISBN-13 9781839213243
Length 796 pages
Edition 1st Edition
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Author (1):
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Iain Anderson Iain Anderson
Author Profile Icon Iain Anderson
Iain Anderson
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Table of Contents (20) Chapters Close

Preface 1. Section 1: Importing and Organizing
2. Chapter 1: Quick Start: An Introduction to FCP FREE CHAPTER 3. Chapter 2: Before the Edit: Production Tips 4. Chapter 3: Bring It In: Importing Your Footage 5. Chapter 4: Sort It Out: reviewing and keywording 6. Chapter 5: Choose Your Favorites: Selecting, Rating, and Searching 7. Section 2: Rough Cut to Fine Cut
8. Chapter 6: Build the spine of the story: Quick Assembly 9. Chapter 7: Cover It Up: Connections, Cutaways, and Storylines 10. Chapter 8: Neaten the Edges: Trimming Techniques 11. Chapter 9: Consider Your Options: Multicam, Replacing, and Auditions 12. Chapter 10: Explore a Little: Compound Clips and Timeline Tricks 13. Section 3: Finishing and Exporting
14. Chapter 11: Play with Light: Color Correction and Grading 15. Chapter 12: Refine and Smooth: Video Properties and Effects 16. Chapter 13: Blend and Warp: Video Transitions and Retiming 17. Chapter 14: Boost the Signal: Audio Sweetening 18. Chapter 15: A Few Words: Titles and Generators 19. Chapter 16: You're Done: Exporting Your Edit and Finishing Up

Rearranging your clips

This basic part of the edit — putting things in the right order — is very important, yet deceptively simple. FCP makes it hard to get this wrong, because it's hard to break up a clip by accident, and the Magnetic Timeline means that you won't leave any gaps unless you add them on purpose.

If you're new to editing, this probably doesn't seem too strange. You're putting clips in order to tell a story, so why would you want to leave gaps in that story? It's probably a little jarring for new editors to realize that simply rearranging clips is actually not a simple operation in most other non-linear editing systems (NLEs). One of the key innovations of Final Cut Pro was to make it easier for you to experiment with your edit, letting you rearrange your clips without worrying about breaking anything. If you're an experienced editor used to juggling clips up and down to avoid clip collisions across multiple tracks...

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