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Edit without Tears with Final Cut Pro

You're reading from   Edit without Tears with Final Cut Pro Elevate your video editing skills with professional workflows and techniques

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Product type Paperback
Published in Mar 2024
Publisher Packt
ISBN-13 9781804614921
Length 708 pages
Edition 1st Edition
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Author (1):
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Bruce G. Macbryde Bruce G. Macbryde
Author Profile Icon Bruce G. Macbryde
Bruce G. Macbryde
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Table of Contents (27) Chapters Close

Preface 1. Prologue 2. Part 1:Planning FREE CHAPTER
3. Chapter 1: It’s All about the Media 4. Chapter 2: Organizing Media 5. Chapter 3: Planning the Video Story 6. Chapter 4: Pre-Editing a Rough Cut 7. Part 2:Editing
8. Chapter 5: Refining the Rough Cut 9. Chapter 6: Fixing and Enhancing the Audio 10. Chapter 7: Titles, Effects, and Generators 11. Chapter 8: Setting Up and Editing Multicam 12. Chapter 9: Project Workflows – Pace and Structure 13. Part 3:Using the Inspector
14. Chapter 10: The Inspector Controls 15. Chapter 11: Using Built-In Plug-Ins 16. Chapter 12: Using Third-Party Plug-Ins 17. Chapter 13: Using Keyframes to Animate Objects in Final Cut Pro 18. Chapter 14: Understanding the Principles of Color 19. Chapter 15: Using Color Scopes for Advanced Color Correction 20. Part 4: Outside Final Cut Pro
21. Chapter 16: Your Job Role – Collaboration 22. Chapter 17: Supporting Software Applications for Final Cut Pro 23. Chapter 18: Troubleshooting Final Cut Pro 24. Chapter 19: Backing Up and Archiving Libraries 25. Index 26. Other Books You May Enjoy

Audio in sync

When you add a camera clip to the timeline that contains both video and audio, you should trust that they are both in sync. There is a chance, though unlikely, that audio recorded by a camera using a lapel mic may have a slight audio delay if recorded over a long distance. You will have to compensate for that manually, by using Detach Audio and moving the detached audio track one frame at a time with the arrow keys.

Also, be aware that the difference may be less than one frame of video. If that is the case, audio can be adjusted at a sub-video-frame level. Pressing Command and the right and left arrow keys will adjust the audio playhead to as small as 1/80th of a video frame (see Chapter 6, Fixing and Enhancing the Audio for details).

If the shoot was a multi-camera shoot or a single camera with an external audio recorder, you need to synchronize the tracks into one entity. I prefer to use New Multicam Clip for all occasions, rather than just Synchronize Clips....

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