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Draw and Paint Better with Krita

You're reading from   Draw and Paint Better with Krita Discover pro-level techniques and practices to create spectacular digital illustrations with Krita

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Product type Paperback
Published in May 2022
Publisher Packt
ISBN-13 9781801071765
Length 426 pages
Edition 1st Edition
Tools
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Author (1):
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Wesley Gardner Wesley Gardner
Author Profile Icon Wesley Gardner
Wesley Gardner
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Table of Contents (18) Chapters Close

Preface 1. Part 1: Intro to Krita and Digital Art Terminology Review
2. Chapter 1: Getting Started with Krita FREE CHAPTER 3. Chapter 2: Reviewing Canvas Properties and Color 4. Chapter 3: Utilizing Layers and Layer Groups 5. Chapter 4: Utilizing Brushes and Tools 6. Part 2: Methods of Visual Communication within Krita
7. Chapter 5: Implementing Layer Blending Modes 8. Chapter 6: Composing Using Krita's Toolbox 9. Chapter 7: Changing the Feel with Painting, Values, and Sliders 10. Chapter 8: Controlling Chaos – Organizing Your Workflow 11. Part 3: Projects Unleashing Your Inner Artist with Krita
12. Chapter 9: Setting Up a Still-Life Study 13. Chapter 10: Enforcing Fundamentals 14. Chapter 11: Working with Concept Art 15. Chapter 12: Refining and Creating Cinematic Concept Art 16. Chapter 13: Going beyond These Pages 17. Other Books You May Enjoy

Summary

In this chapter, we discussed various forms of constructing an image, namely dealing with perspectives and compositional techniques. We first defined three different types of linear perspective, and where each is most impactful when creating images. We then covered two compositional techniques: the Rule of Thirds and the Golden Ratio. While both are extremely effective ways to plan out your images before getting started, remember that there's no "right" or "wrong" way to go about it. Art's never that easy, remember?

We then quickly covered the idea of keeping ideas flexible and loose, defining the 'Blue Sky' phase as a powerful phase of a pre-production pipeline. We can solve problems, try crazy ideas, and do so with a variety of techniques without breaking the bank (both the physical money spent for a production crew and our personal mental bank of ideas as an artist).

With what we've learned in this chapter (coupled with...

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