Search icon CANCEL
Subscription
0
Cart icon
Your Cart (0 item)
Close icon
You have no products in your basket yet
Arrow left icon
Explore Products
Best Sellers
New Releases
Books
Videos
Audiobooks
Learning Hub
Conferences
Free Learning
Arrow right icon
Arrow up icon
GO TO TOP
LMMS: A Complete Guide to Dance Music Production

You're reading from   LMMS: A Complete Guide to Dance Music Production

Arrow left icon
Product type Paperback
Published in Sep 2012
Publisher Packt
ISBN-13 9781849517041
Length 384 pages
Edition 1st Edition
Arrow right icon
Author (1):
Arrow left icon
David Earl David Earl
Author Profile Icon David Earl
David Earl
Arrow right icon
View More author details
Toc

Table of Contents (15) Chapters Close

Preface 1. Gearing Up: A Preflight Checklist 2. Getting Our Feet Wet: Exploring LMMS FREE CHAPTER 3. Getting Our Hands Dirty: Creating in LMMS 4. Expanding the Beat: Digging Deeper into the Art of Beatmaking 5. Making Spaces: Creating the Emotional Landscape 6. Finding and Creating New Noises 7. Getting It All Stacked Up 8. Spreading Out the Arrangement 9. Gluing the Arrangement Together 10. Getting the Mix Together 11. Getting into Instruments 12. Where to Go from Here A. Pop quiz—Answers Index

Time for action—editing samples with the Audiofile processor

The Audiofile Processor is an excellent way to incorporate sound files into a project. Let's explore it:

  1. Double-click on this area:
    Time for action—editing samples with the Audiofile processor
  2. We will now see the Instrument Editor which will look similar to the following:
  3. The Audiofile Processor has our bass drum sample loaded in it and we're going to try and clip the tail off of our sample a little bit.
  4. See the knob that says END? Click-and-hold on that knob until you get a value of about 60.

Tip

To get a precise setting for a value in LMMS, double-click the knob you wish to use. A parameter can be entered from your computer's keyboard.

What just happened?

You'll see that the sample's endpoint has pulled forward a bit (that is towards the right). This means our sample is not playing all the way through and that strange, pitched tail of the sample is now sounding more normal.

After we've done this, our bass drum sounds a bit better, but now it clicks a little...

You have been reading a chapter from
LMMS: A Complete Guide to Dance Music Production
Published in: Sep 2012
Publisher: Packt
ISBN-13: 9781849517041
Register for a free Packt account to unlock a world of extra content!
A free Packt account unlocks extra newsletters, articles, discounted offers, and much more. Start advancing your knowledge today.
Unlock this book and the full library FREE for 7 days
Get unlimited access to 7000+ expert-authored eBooks and videos courses covering every tech area you can think of
Renews at $19.99/month. Cancel anytime
Banner background image