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The Music Producer's Creative Guide to Ableton Live 11

You're reading from   The Music Producer's Creative Guide to Ableton Live 11 Level up your music recording, arranging, editing, and mixing skills and workflow techniques

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Product type Paperback
Published in Mar 2023
Publisher Packt
ISBN-13 9781801817639
Length 468 pages
Edition 1st Edition
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Author (1):
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Anna Lakatos Anna Lakatos
Author Profile Icon Anna Lakatos
Anna Lakatos
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Table of Contents (23) Chapters Close

Preface 1. Part 1: The Live Concept and Workflow
2. Chapter 1: Taking a Quick Tour of Ableton Live 11 FREE CHAPTER 3. Chapter 2: Recording Audio in Ableton Live 11 4. Chapter 3: Editing Audio and Warping 5. Chapter 4: Exploring MIDI Sequencing Techniques 6. Chapter 5: MIDI Editing and MIDI Effects 7. Part 2: Creative Music Production Techniques with Ableton Live 11
8. Chapter 6: Comping and Track Linking 9. Chapter 7: Discovering Some of Live 11’s Creative Audio Effects 10. Chapter 8: Exploring Device Racks in Live 11 11. Chapter 9: Audio to MIDI Conversion, Slicing to MIDI, and the Simpler Device 12. Chapter 10: Utilizing Arrangement and Organization Techniques in our Ableton Live Project 13. Chapter 11: Implementing Automation and Modulation 14. Chapter 12: Getting Started with MPE in Ableton Live 11 15. Part 3: Deep Dive into Ableton Live
16. Chapter 13: Exploring Tempo Follower, Follow Action, Max for Live, Working with Video, and Ableton Note 17. Chapter 14: Exploring MIDI Mapping, External Instrument, and MIDI CCs 18. Chapter 15: Playing Live 19. Chapter 16: Interesting Mixing Techniques in Live 11 20. Chapter 17: Troubleshooting and File Management 21. Index 22. Other Books You May Enjoy

Using Take Lanes in Live 11

Something exciting came along with the Live 11 update – a long-awaited function to be able to perform comping.

Comping will enable us to record multiple takes of audio within the same track and then pick the best parts of each take to create the perfect comp!

If you never carried out comping before, just think about it this way: you loop the section of the song where the singer is supposed to be singing the verse. You can let the singer sing that verse a couple of times on a loop record without any interruption and capture every single take they have performed in multiple Take Lanes.

Then, you can go into the Take Lanes and pick the best part of each. For example, maybe the beginning of the first take was pitchy, the second part was great, and, in the second take, the first part was great, but in the second part, the singer missed the last word.

Now, you are able to combine the great parts of both takes in a super fast, seamless way.

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