Search icon CANCEL
Subscription
0
Cart icon
Your Cart (0 item)
Close icon
You have no products in your basket yet
Save more on your purchases now! discount-offer-chevron-icon
Savings automatically calculated. No voucher code required.
Arrow left icon
Explore Products
Best Sellers
New Releases
Books
Videos
Audiobooks
Learning Hub
Conferences
Free Learning
Arrow right icon
Arrow up icon
GO TO TOP
Edit without Tears with Final Cut Pro

You're reading from   Edit without Tears with Final Cut Pro Elevate your video editing skills with professional workflows and techniques

Arrow left icon
Product type Paperback
Published in Mar 2024
Publisher Packt
ISBN-13 9781804614921
Length 708 pages
Edition 1st Edition
Arrow right icon
Author (1):
Arrow left icon
Bruce G. Macbryde Bruce G. Macbryde
Author Profile Icon Bruce G. Macbryde
Bruce G. Macbryde
Arrow right icon
View More author details
Toc

Table of Contents (27) Chapters Close

Preface 1. Prologue 2. Part 1:Planning FREE CHAPTER
3. Chapter 1: It’s All about the Media 4. Chapter 2: Organizing Media 5. Chapter 3: Planning the Video Story 6. Chapter 4: Pre-Editing a Rough Cut 7. Part 2:Editing
8. Chapter 5: Refining the Rough Cut 9. Chapter 6: Fixing and Enhancing the Audio 10. Chapter 7: Titles, Effects, and Generators 11. Chapter 8: Setting Up and Editing Multicam 12. Chapter 9: Project Workflows – Pace and Structure 13. Part 3:Using the Inspector
14. Chapter 10: The Inspector Controls 15. Chapter 11: Using Built-In Plug-Ins 16. Chapter 12: Using Third-Party Plug-Ins 17. Chapter 13: Using Keyframes to Animate Objects in Final Cut Pro 18. Chapter 14: Understanding the Principles of Color 19. Chapter 15: Using Color Scopes for Advanced Color Correction 20. Part 4: Outside Final Cut Pro
21. Chapter 16: Your Job Role – Collaboration 22. Chapter 17: Supporting Software Applications for Final Cut Pro 23. Chapter 18: Troubleshooting Final Cut Pro 24. Chapter 19: Backing Up and Archiving Libraries 25. Index 26. Other Books You May Enjoy

Family holiday movies

A family video should be kept low-key in terms of production value; it is about memories. The focus can be on the destination, but the real key to making the movie valuable as a future asset is to feature people. Your great-grandchildren are going to be more interested in how you dressed and reacted to situations than a long pan shot of the Tuscan valley. With this in mind, I feel it is appropriate, in this section, to talk about how the video should be filmed. If you are reading this section, then you are likely the sole editor as well as the shooter, so you need to have control over the media.

Let’s look at some important points to keep in mind when shooting your travel movies.

It’s easy to say that you should plan what you are going to film. Yes, you should, but you are on holiday, so what is likely to happen is that you will turn up at an interesting location and get the sudden urge to record the amazing architecture, a festival, a street...

lock icon The rest of the chapter is locked
Register for a free Packt account to unlock a world of extra content!
A free Packt account unlocks extra newsletters, articles, discounted offers, and much more. Start advancing your knowledge today.
Unlock this book and the full library FREE for 7 days
Get unlimited access to 7000+ expert-authored eBooks and videos courses covering every tech area you can think of
Renews at €18.99/month. Cancel anytime