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Edit without Tears with Final Cut Pro

You're reading from   Edit without Tears with Final Cut Pro Elevate your video editing skills with professional workflows and techniques

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Product type Paperback
Published in Mar 2024
Publisher Packt
ISBN-13 9781804614921
Length 708 pages
Edition 1st Edition
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Author (1):
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Bruce G. Macbryde Bruce G. Macbryde
Author Profile Icon Bruce G. Macbryde
Bruce G. Macbryde
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Table of Contents (27) Chapters Close

Preface 1. Prologue 2. Part 1:Planning FREE CHAPTER
3. Chapter 1: It’s All about the Media 4. Chapter 2: Organizing Media 5. Chapter 3: Planning the Video Story 6. Chapter 4: Pre-Editing a Rough Cut 7. Part 2:Editing
8. Chapter 5: Refining the Rough Cut 9. Chapter 6: Fixing and Enhancing the Audio 10. Chapter 7: Titles, Effects, and Generators 11. Chapter 8: Setting Up and Editing Multicam 12. Chapter 9: Project Workflows – Pace and Structure 13. Part 3:Using the Inspector
14. Chapter 10: The Inspector Controls 15. Chapter 11: Using Built-In Plug-Ins 16. Chapter 12: Using Third-Party Plug-Ins 17. Chapter 13: Using Keyframes to Animate Objects in Final Cut Pro 18. Chapter 14: Understanding the Principles of Color 19. Chapter 15: Using Color Scopes for Advanced Color Correction 20. Part 4: Outside Final Cut Pro
21. Chapter 16: Your Job Role – Collaboration 22. Chapter 17: Supporting Software Applications for Final Cut Pro 23. Chapter 18: Troubleshooting Final Cut Pro 24. Chapter 19: Backing Up and Archiving Libraries 25. Index 26. Other Books You May Enjoy

Suggestions for correcting audio

There are a number of methods to correct audio, and in this section, we will look at some of them.

Settings for the audio meters

Always set the audio meters to their maximum display size to the right of the Effects/Transitions browsers (Figure 6.30). This is done by clicking on the default meters below the viewer, as in Figure 6.29:

Figure 6.29 – Default location of the small audio meters

Figure 6.29 – Default location of the small audio meters

Click on the small meters and they will move to the right of the Effects/Transitions browsers:

Figure 6.30 – Best location for the larger audio meters

Figure 6.30 – Best location for the larger audio meters

The following are some other suggestions to consider:

  • Keep the mix of dialogue audio between -8 and -15
  • Keep the maximum peaks at -6
  • Set the music to somewhere between -12 and -20
  • Make sure any background music behind dialogue is set between -20 and -30
  • Keep sound effects between -10 and -20; they can spike to -6
  • ...
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