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The Ultimate Studio One Pro Book

You're reading from   The Ultimate Studio One Pro Book A step-by-step guide to recording, editing, mixing, and mastering professional-quality music

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Product type Paperback
Published in Jul 2023
Publisher Packt
ISBN-13 9781803241012
Length 386 pages
Edition 1st Edition
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Author (1):
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Doruk Somunkiran Doruk Somunkiran
Author Profile Icon Doruk Somunkiran
Doruk Somunkiran
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Toc

Table of Contents (23) Chapters Close

Preface 1. Part 1: Getting Started with Studio One
2. Chapter 1: Choosing Your Flavor of Studio One FREE CHAPTER 3. Chapter 2: Installing and Configuring Your Studio One Environment 4. Chapter 3: Exploring the Studio One Environment 5. Part 2: Creating in Studio One
6. Chapter 4: Creating a New Song 7. Chapter 5: Recording Your First Audio Track 8. Chapter 6: Adding Virtual Instruments and Recording MIDI 9. Part 3: Editing in Studio One
10. Chapter 7: Editing and Rearranging Your Song 11. Chapter 8: Editing Audio 12. Chapter 9: Editing MIDI 13. Chapter 10: Using Global Tracks 14. Part 4:Mixing and Mastering
15. Chapter 11: Preparing for the Mix 16. Chapter 12: Working with Effects Plugins to Craft a Mix 17. Chapter 13: Optimizing Signal Flow and Elevating Your Mix 18. Chapter 14: Navigating the Project Page and Producing Final Masters 19. Chapter 15: Using Additional Studio One Features 20. Index 21. Other Books You May Enjoy Appendix –Customizing Studio One and Following Best Practices

Applying advanced techniques

In this section, we will cover some more innovative ways of manipulating sounds in a mix. Although these are generally regarded as advanced techniques, this does not mean they are hard to understand or execute. Rather, it implies that you will find them useful only after you have mastered the basic techniques we covered in the previous section. Once you reach that point, the techniques we’re about to discuss are fairly easy to implement.

Let’s start with the most popular of all these advanced techniques.

Sidechain processing

Sidechain processing (or sidechaining) is a technique where the audio signal from one source is used to control the processing of another audio source. In other words, the sidechain signal is used to trigger an effect applied to a target audio signal.

Sidechaining can be used for an infinite number of purposes, ranging from the creative to the highly technical. Here are some possible scenarios where it can...

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