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The Music Producer's Ultimate Guide to FL Studio 21

You're reading from   The Music Producer's Ultimate Guide to FL Studio 21 From beginner to pro: compose, mix, and master music

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Product type Paperback
Published in Jun 2023
Publisher Packt
ISBN-13 9781837631650
Length 462 pages
Edition 2nd Edition
Languages
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Author (1):
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Joshua Au-Yeung Joshua Au-Yeung
Author Profile Icon Joshua Au-Yeung
Joshua Au-Yeung
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Table of Contents (20) Chapters Close

Preface 1. Section I: Getting Up and Running with FL Studio
2. Getting Started with FL Studio FREE CHAPTER 3. Exploring the Browser, Playlist, and Channel Rack 4. Composing with the Piano Roll 5. Routing to the Mixer and Applying Automation 6. Section II: Music Production Fundamentals
7. Sound Design and Audio Envelopes 8. Compression, Sidechaining, Limiting, and Equalization 9. Stereo Width (Panning, Reverb, Delay, Chorus, and Flangers) and Distortion 10. Recording Live Audio and Vocal Processing 11. Vocoders and Vocal Chops 12. Creating Your Own Instruments and Effects 13. Intermediate Mixing Topics and Sound Design Plugin Effects 14. Section III: Postproduction and Publishing Your Music
15. Mastering Fundamentals 16. Marketing, Content Creation, Getting Fans, and Going Viral 17. Publishing and Selling Music Online 18. Other Books You May Enjoy
19. Index

What is sound?

In the following chapters of this book, we will learn how to use plugins that manipulate sound. But what exactly is sound? When we talk about sound design, what exactly are we designing?

Sound is a form of energy like electricity and light. Sound is made when molecules vibrate and move in a wave pattern, which we call sound waves. Air is able to support many sound waves simultaneously. When you clap your hands, your clapping causes energy to move outward into the air.

The air molecules vibrate, bump into neighboring molecules, and transfer energy, causing them to vibrate. This energy gets dispersed outward from the source, around the room, and continues until the molecules’ energy is equally dispersed. The energy gets weaker as it gets distributed over a wider area. This is why there’s no sound in outer space; there are no air molecules vibrating to support sound waves.

Molecules don’t move around the room with sound. Instead, the energy...

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