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The Music Producer's Creative Guide to Ableton Live 11

You're reading from   The Music Producer's Creative Guide to Ableton Live 11 Level up your music recording, arranging, editing, and mixing skills and workflow techniques

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Product type Paperback
Published in Mar 2023
Publisher Packt
ISBN-13 9781801817639
Length 468 pages
Edition 1st Edition
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Author (1):
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Anna Lakatos Anna Lakatos
Author Profile Icon Anna Lakatos
Anna Lakatos
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Table of Contents (23) Chapters Close

Preface 1. Part 1: The Live Concept and Workflow
2. Chapter 1: Taking a Quick Tour of Ableton Live 11 FREE CHAPTER 3. Chapter 2: Recording Audio in Ableton Live 11 4. Chapter 3: Editing Audio and Warping 5. Chapter 4: Exploring MIDI Sequencing Techniques 6. Chapter 5: MIDI Editing and MIDI Effects 7. Part 2: Creative Music Production Techniques with Ableton Live 11
8. Chapter 6: Comping and Track Linking 9. Chapter 7: Discovering Some of Live 11’s Creative Audio Effects 10. Chapter 8: Exploring Device Racks in Live 11 11. Chapter 9: Audio to MIDI Conversion, Slicing to MIDI, and the Simpler Device 12. Chapter 10: Utilizing Arrangement and Organization Techniques in our Ableton Live Project 13. Chapter 11: Implementing Automation and Modulation 14. Chapter 12: Getting Started with MPE in Ableton Live 11 15. Part 3: Deep Dive into Ableton Live
16. Chapter 13: Exploring Tempo Follower, Follow Action, Max for Live, Working with Video, and Ableton Note 17. Chapter 14: Exploring MIDI Mapping, External Instrument, and MIDI CCs 18. Chapter 15: Playing Live 19. Chapter 16: Interesting Mixing Techniques in Live 11 20. Chapter 17: Troubleshooting and File Management 21. Index 22. Other Books You May Enjoy

Split-band processing in Live

The idea here is to take a sound with a fairly wide frequency range and process the frequency bands separately and accordingly.

Let’s take as an example a fat Reese bass. Since it is a bass sound, it is obviously heavy in low frequencies, but these basses are also really rich in the mid-range.

You might also want this bass to sound super huge and spacey, but we know that we can’t really have a bass stereo, nor have reverb on it; otherwise, it will muddy up our entire mix.

Well, this is where splitting this bass into two by frequency ranges and processing them differently can get you that big fat spacey sound that you are looking for without mudding up your mix.

Let me show you how it is done in Live using Audio Effect Rack. You can use the Chapter 16 project file to follow along:

  1. Create or pick the bass sound you desire in Live. (In the Chapter 16 project, we are working with the track called Reese Split Bass.)
  2. Drop...
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