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LMMS: A Complete Guide to Dance Music Production

You're reading from   LMMS: A Complete Guide to Dance Music Production

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Product type Paperback
Published in Sep 2012
Publisher Packt
ISBN-13 9781849517041
Length 384 pages
Edition 1st Edition
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Author (1):
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David Earl David Earl
Author Profile Icon David Earl
David Earl
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Table of Contents (15) Chapters Close

Preface 1. Gearing Up: A Preflight Checklist FREE CHAPTER 2. Getting Our Feet Wet: Exploring LMMS 3. Getting Our Hands Dirty: Creating in LMMS 4. Expanding the Beat: Digging Deeper into the Art of Beatmaking 5. Making Spaces: Creating the Emotional Landscape 6. Finding and Creating New Noises 7. Getting It All Stacked Up 8. Spreading Out the Arrangement 9. Gluing the Arrangement Together 10. Getting the Mix Together 11. Getting into Instruments 12. Where to Go from Here A. Pop quiz—Answers Index

Time for action—fitting the bass in

The bass in dance music provides a lot of information to the listener. Although closely related to the kick, it gives us the musical foundation for the song. Where it fits in time also declares what kind of style we are going for. We're going to start with a four on the floor bass:

  1. Go to your sidebar and open the My samples pane.
  2. In this pane, you'll see other folders besides the drums we used earlier. This time, select basses:
    Time for action—fitting the bass in
  3. We're going to use synth_acid02.ogg. Drag it over to the Beats+Bassline Editor.
  4. Once there, match the timing of the bass with the kick drum:
  5. Make sure to adjust the volume of the bass so that you can still hear the kick.
  6. Now let's move the last bass note to the fourteenth beat. That little change at the end of the pattern should do a lot to keep the pattern from sounding too repetitive.
  7. Let's vary the pitch on the bass note. Right-click on the last bass note. This opens a Piano Roll editor. Alternatively...
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