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Final Cut Pro Efficient Editing

You're reading from   Final Cut Pro Efficient Editing The ultimate guide to editing video with FCP 10.7.1 for faster, smarter workflows

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Product type Paperback
Published in Jul 2023
Publisher Packt
ISBN-13 9781837631674
Length 828 pages
Edition 2nd Edition
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Author (1):
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Iain Anderson Iain Anderson
Author Profile Icon Iain Anderson
Iain Anderson
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Table of Contents (23) Chapters Close

Preface PART 1: Importing and Organizing
1 Quick Start: An Introduction to FCP FREE CHAPTER 2 Before the Edit: Production Tips 3 Bring It In: Importing Your Footage 4 Sort It Out: Reviewing and Keywording 5 Choose Your Favorites: Selecting, Rating, and Searching PART 2: Rough Cut to Fine Cut
6 Build the spine of the story: Quick Assembly 7 Cover It Up: Connections, Cutaways, and Storylines 8 Neaten the Edges: Trimming Techniques 9 Consider Your Options: Multicam, Replacing, and Auditions 10 Explore a Little: Compound Clips and Timeline Tricks PART 3: Finishing and Exporting
11 Play with Light: Color Correction and Grading 12 Refine and Smooth: Video Properties and Effects 13 Blend and Warp: Video Transitions and Retiming 14 Boost the Signal: Audio Sweetening 15 A Few Words: Titles and Generators 16 You’re Done: Exporting Your Edit and Finishing Up Other Books You May Enjoy Index Appendix A: 360° Video Workflows

Controlling and overriding connections

Normally, when you move a Primary Storyline clip around, any connected clips will move too. That’s because the clip-to-clip connection is usually the most important, and it’s what FCP tries to maintain. Sometimes, though, you want to keep a connected clip exactly where it is, and this section will show you a couple of techniques to do that.

First, if you want to connect a clip at a different point, hold ⌥⌘ and click on the connected clip. The connection will now be shifted to the clicked point in time, connecting to the clip on the Primary Storyline at that timecode. The same applies to Storylines, but you’ll have to hold ⌥⌘ and click in the gray bar just above the clips instead:

Figure 7.23: Here, the connection has been moved to the second clip in the Primary Storyline rather than the first

Figure 7.23: Here, the connection has been moved to the second clip in the Primary Storyline rather than the first

Moving connections like this lets you change which Primary Storyline clip...

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