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Final Cut Pro Efficient Editing

You're reading from   Final Cut Pro Efficient Editing The ultimate guide to editing video with FCP 10.7.1 for faster, smarter workflows

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Product type Paperback
Published in Jul 2023
Publisher Packt
ISBN-13 9781837631674
Length 828 pages
Edition 2nd Edition
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Author (1):
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Iain Anderson Iain Anderson
Author Profile Icon Iain Anderson
Iain Anderson
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Table of Contents (23) Chapters Close

Preface PART 1: Importing and Organizing
1 Quick Start: An Introduction to FCP FREE CHAPTER 2 Before the Edit: Production Tips 3 Bring It In: Importing Your Footage 4 Sort It Out: Reviewing and Keywording 5 Choose Your Favorites: Selecting, Rating, and Searching PART 2: Rough Cut to Fine Cut
6 Build the spine of the story: Quick Assembly 7 Cover It Up: Connections, Cutaways, and Storylines 8 Neaten the Edges: Trimming Techniques 9 Consider Your Options: Multicam, Replacing, and Auditions 10 Explore a Little: Compound Clips and Timeline Tricks PART 3: Finishing and Exporting
11 Play with Light: Color Correction and Grading 12 Refine and Smooth: Video Properties and Effects 13 Blend and Warp: Video Transitions and Retiming 14 Boost the Signal: Audio Sweetening 15 A Few Words: Titles and Generators 16 You’re Done: Exporting Your Edit and Finishing Up Other Books You May Enjoy Index Appendix A: 360° Video Workflows

Basic trimming with the Magnetic Timeline

Trimming, at a basic level, usually involves moving the edges of a clip to see more or less of it. As with many other operations in FCP, trimming starts out very simple, but has powerful subtleties (slipping, sliding, and rolling — all to come later). For now, we’ll focus on several useful ways to make a clip longer or shorter, with the mouse and with the keyboard. But first, a little check — do you have enough media?

Do you have enough media?

Each clip on a timeline represents a link to all or part of an actual clip that was recorded. Put simply, the start and end of each clip can be adjusted to the left or right, making a clip longer or shorter. But that’s only true if there’s enough media to allow the edit to proceed. If you’ve added entire clips to your timeline, you might be using the very first or very last frame of a real clip, and each one is a hard limit past which you can’t extend...

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