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The Music Producer's Ultimate Guide to FL Studio 20

You're reading from  The Music Producer's Ultimate Guide to FL Studio 20

Product type Book
Published in Feb 2021
Publisher Packt
ISBN-13 9781800565326
Pages 336 pages
Edition 1st Edition
Languages
Author (1):
Joshua Au-Yeung Joshua Au-Yeung
Profile icon Joshua Au-Yeung
Toc

Table of Contents (18) Chapters close

Preface 1. Section 1:Getting Up and Running with FL Studio
2. Chapter 1: Getting Started with FL Studio 3. Chapter 2: Exploring the Browser, Playlist, and Channel Rack 4. Chapter 3: Composing with the Piano Roll 5. Chapter 4: Routing to the Mixer and Applying Automation 6. Section 2:Music Production Fundamentals
7. Chapter 5: Sound Design and Audio Envelopes 8. Chapter 6: Compression, Sidechaining, Limiting, and Equalization 9. Chapter 7: Stereo Width – Panning, Reverb, Delay, Chorus, and Flangers 10. Chapter 8: Recording Live Audio and Vocal Processing 11. Chapter 9: Understanding Vocal Effects 12. Section 3:Postproduction and Publishing Your Music
13. Chapter 10: Creating Your Own Instruments and Effects 14. Chapter 11: Mastering Fundamentals 15. Chapter 12: Branding, Promotion,and Marketing 16. Chapter 13: Publishing and Selling Music Online 17. Other Books You May Enjoy

Understanding mix buses

When you have two or more Mixer channels routed into a single Mixer channel, we call the combined audio a bus, also known as a mix bus. Buses are useful for combining sounds together and making them appear related to one another.

The master channel is a type of bus that collects audio from all the other Mixer channels. Most of the time when we talk about a bus, we aren't referring to the master channel, though.

You can generally think of a bus as a checkpoint along the way to the master channel. Does the audio coming out of the bus sound good so far up to this point? In most songs, you will have a bus for your drums, a bus combining the layering of your instruments, and a bus for your vocals.

Mix bus best practices

Compression effects should be applied to the bus to gain a sense of cohesion among the instruments. For example, drum instruments are often grouped together in a bus and then given compression. Note that compressor is going to change...

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