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Final Cut Pro Efficient Editing

You're reading from   Final Cut Pro Efficient Editing The ultimate guide to editing video with FCP 10.7.1 for faster, smarter workflows

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Product type Paperback
Published in Jul 2023
Publisher Packt
ISBN-13 9781837631674
Length 828 pages
Edition 2nd Edition
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Author (1):
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Iain Anderson Iain Anderson
Author Profile Icon Iain Anderson
Iain Anderson
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Toc

Table of Contents (23) Chapters Close

Preface PART 1: Importing and Organizing
1 Quick Start: An Introduction to FCP FREE CHAPTER 2 Before the Edit: Production Tips 3 Bring It In: Importing Your Footage 4 Sort It Out: Reviewing and Keywording 5 Choose Your Favorites: Selecting, Rating, and Searching PART 2: Rough Cut to Fine Cut
6 Build the spine of the story: Quick Assembly 7 Cover It Up: Connections, Cutaways, and Storylines 8 Neaten the Edges: Trimming Techniques 9 Consider Your Options: Multicam, Replacing, and Auditions 10 Explore a Little: Compound Clips and Timeline Tricks PART 3: Finishing and Exporting
11 Play with Light: Color Correction and Grading 12 Refine and Smooth: Video Properties and Effects 13 Blend and Warp: Video Transitions and Retiming 14 Boost the Signal: Audio Sweetening 15 A Few Words: Titles and Generators 16 You’re Done: Exporting Your Edit and Finishing Up Other Books You May Enjoy Index Appendix A: 360° Video Workflows

Shooting the right shots

Whatever kind of camera you end up with, you will need to capture a variety of shots to make the edit run smoothly. If you’ve planned well, you’ll go into a shoot with a list of shots that you need to capture, and it’s very satisfying to tick them off as you go.

The shots you need will vary from shoot to shoot, but it’s rare that you can simply capture a subject once from a single angle and be done. Nearly always, you’ll want to capture two different kinds of footage: A-roll and B-roll.

A-roll

This is simply the primary video that you need to capture. If people speak on camera or to a camera, that’s A-roll:

Figure 2.14: A subject talking on camera? That’s A-roll (from Brad Olsen’s Off the Tracks)

Figure 2.14: A subject talking on camera? That’s A-roll (from Brad Olsen’s Off the Tracks)

In dramas, a scene where people are talking is A-roll, and in a corporate piece, the interviews are A-roll. This is the spine of the story — the driving message keeping...

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