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The Music Producer's Ultimate Guide to FL Studio 20

You're reading from   The Music Producer's Ultimate Guide to FL Studio 20 Create production-quality music with FL Studio

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Product type Paperback
Published in Feb 2021
Publisher Packt
ISBN-13 9781800565326
Length 336 pages
Edition 1st Edition
Languages
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Author (1):
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Joshua Au-Yeung Joshua Au-Yeung
Author Profile Icon Joshua Au-Yeung
Joshua Au-Yeung
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Table of Contents (18) Chapters Close

Preface 1. Section 1:Getting Up and Running with FL Studio
2. Chapter 1: Getting Started with FL Studio FREE CHAPTER 3. Chapter 2: Exploring the Browser, Playlist, and Channel Rack 4. Chapter 3: Composing with the Piano Roll 5. Chapter 4: Routing to the Mixer and Applying Automation 6. Section 2:Music Production Fundamentals
7. Chapter 5: Sound Design and Audio Envelopes 8. Chapter 6: Compression, Sidechaining, Limiting, and Equalization 9. Chapter 7: Stereo Width – Panning, Reverb, Delay, Chorus, and Flangers 10. Chapter 8: Recording Live Audio and Vocal Processing 11. Chapter 9: Understanding Vocal Effects 12. Section 3:Postproduction and Publishing Your Music
13. Chapter 10: Creating Your Own Instruments and Effects 14. Chapter 11: Mastering Fundamentals 15. Chapter 12: Branding, Promotion,and Marketing 16. Chapter 13: Publishing and Selling Music Online 17. Other Books You May Enjoy

Understanding mix buses

When you have two or more Mixer channels routed into a single Mixer channel, we call the combined audio a bus, also known as a mix bus. Buses are useful for combining sounds together and making them appear related to one another.

The master channel is a type of bus that collects audio from all the other Mixer channels. Most of the time when we talk about a bus, we aren't referring to the master channel, though.

You can generally think of a bus as a checkpoint along the way to the master channel. Does the audio coming out of the bus sound good so far up to this point? In most songs, you will have a bus for your drums, a bus combining the layering of your instruments, and a bus for your vocals.

Mix bus best practices

Compression effects should be applied to the bus to gain a sense of cohesion among the instruments. For example, drum instruments are often grouped together in a bus and then given compression. Note that compressor is going to change...

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