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The Music Producer's Ultimate Guide to FL Studio 20

You're reading from   The Music Producer's Ultimate Guide to FL Studio 20 Create production-quality music with FL Studio

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Product type Paperback
Published in Feb 2021
Publisher Packt
ISBN-13 9781800565326
Length 336 pages
Edition 1st Edition
Languages
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Author (1):
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Joshua Au-Yeung Joshua Au-Yeung
Author Profile Icon Joshua Au-Yeung
Joshua Au-Yeung
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Table of Contents (18) Chapters Close

Preface 1. Section 1:Getting Up and Running with FL Studio
2. Chapter 1: Getting Started with FL Studio FREE CHAPTER 3. Chapter 2: Exploring the Browser, Playlist, and Channel Rack 4. Chapter 3: Composing with the Piano Roll 5. Chapter 4: Routing to the Mixer and Applying Automation 6. Section 2:Music Production Fundamentals
7. Chapter 5: Sound Design and Audio Envelopes 8. Chapter 6: Compression, Sidechaining, Limiting, and Equalization 9. Chapter 7: Stereo Width – Panning, Reverb, Delay, Chorus, and Flangers 10. Chapter 8: Recording Live Audio and Vocal Processing 11. Chapter 9: Understanding Vocal Effects 12. Section 3:Postproduction and Publishing Your Music
13. Chapter 10: Creating Your Own Instruments and Effects 14. Chapter 11: Mastering Fundamentals 15. Chapter 12: Branding, Promotion,and Marketing 16. Chapter 13: Publishing and Selling Music Online 17. Other Books You May Enjoy

The musician's career path

Many of you reading this book will be looking for guidance on how to begin your music career. You've come to the right place. Whether you are a musician, DJ, composer, or music producer, this book will provide you with a how-to guide to get started with making music.

Let's briefly look at your career path ahead. First, you'll spend some time getting familiar with your DAW. You'll come up with song ideas, record, and learn mixing techniques. You might invest in music plugins, synthesizers, hardware, and samples to play with.

At a certain point, you'll feel comfortable with your tools. It's here when you'll realize that knowing how to use your tools is only one part of coming up with music. You need to develop a unique sound for yourself. To do this, you'll go out and listen to lots of music you like. You'll watch successful musicians and learn to create similar sounds. You'll experiment with genres to find one or a combination that resonates with you. You'll begin to come up with ideas of your own that combine many influences.

You'll share your music with friends and colleagues. Likely, you'll want feedback from people who have some experience. You'll reach out to local musician groups in your community and attend their meetings. If you stay on course, this cycle of inventing and feedback will shift your music from amateurish to something that other people will enjoy listening to.

You'll get a few songs under your belt, perhaps have an album ready to go. You'll post your music online and come to the realization that even though your music is amazing, you don't have many fans yet. How come? People don't know about you yet. You'll need to cultivate a brand that fans can relate to and get excited about. You'll need to spend time thinking about the type of brand persona that you want to be recognized for. You'll look into artwork and visuals. You might make them yourself or outsource the art creation to a third party. You'll spend time on social media and websites, researching what other musicians are doing and try out their marketing techniques yourself.

You'll have to figure out what kind of equipment you need to perform live. You'll also need to come up with something visually impressive to entertain audiences. This could include costumes or some sort of game or gimmick that can be repeated with different crowds. You'll spend time thinking about banter and jokes that you can use to tie the gap between your songs. Once again, you'll research what other musicians have done on stage and try out their techniques yourself. You'll discover that in order to have success getting booked at venues, it helps to have associated acts with you. You'll team up with other bands to create a whole packaged performance that you can present to a venue. Congratulations, you now have a show that you can take on the road! You're now a working musician. We've seen the big picture. It might seem like a lot now, but the good news is that most of the steps along the way are small and easy to do.

You have been reading a chapter from
The Music Producer's Ultimate Guide to FL Studio 20
Published in: Feb 2021
Publisher: Packt
ISBN-13: 9781800565326
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